18711980
Published: 22nd January, 2009
Last edited: 11th February, 2009
Created: 8th January, 2009
TU DotMatrix Bold CondensedThis is a clone of TU DotMatrix Condensed
222101618
Published: 16th September, 2008
Last edited: 16th December, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
16119814
Published: 16th September, 2008
Last edited: 3rd November, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
330261
Published: 30th September, 2008
Last edited: 3rd October, 2008
Created: 23rd September, 2008
This font is an attempt to create something that harks back to the 1950's and/or 1920's. I love the differing x heights, the mono weight, and the tall/skinny fromat.
2601732
Published: 25th September, 2008
Last edited: 26th September, 2008
Created: 24th September, 2008
This just emerged from the depths. Although launched from Sweden, it works in most European countries. At least those with a coast. Or a rather deep river. Periskåp means what it sounds like.
2611611
Published: 14th July, 2008
Last edited: 18th July, 2008
Created: 14th July, 2008
sans serif version of sexta-feira. caps and small caps, work in progress.
300880
Published: 12th June, 2008
Last edited: 18th June, 2008
Created: 12th June, 2008
Even skinnier version of LambChop… Work in progress (aren't they all!) Caps only done at the moment… will progress the l/c letters when I've got the time! Comments & suggestions welcome, as always!This is a clone of LambChop Skinny
121990
Published: 10th May, 2008
Last edited: 14th May, 2008
Created: 10th May, 2008
A condensed star font. Sorry about how it doesn't show up when you type in it; you just have to make it bigger.