0819331
Published: 27th June, 2014
Last edited: 22nd September, 2014
Created: 26th June, 2014
In the case of 7-pixel-tall characters, one row of dead pixels is added (stragetically). ;)
2882125
Published: 18th September, 2009
Last edited: 18th June, 2021
Created: 15th September, 2009
A modular font destined to be built with Fontstructor. However, it is a remake of my preexisting design with some refinement. It is based on Fundin/Fundin Eco with minor alterations. (Coccinella is the common ladybird with red hardened forewings punctuated by black spots.)
2578310
Published: 15th September, 2011
Last edited: 16th September, 2011
Created: 15th September, 2011
Clone of Dot Dot Black.This is a clone of Dot Dot Black
441210615
Published: 18th December, 2010
Last edited: 30th December, 2010
Created: 13th December, 2010
A less confused version of fs Confused.This is a clone of Confused
511311733
Published: 3rd October, 2010
Last edited: 3rd October, 2010
Created: 2nd August, 2010
Fresh baked. [Not inspired by Nike®]
Each character is max. 32 grid blocks tall. However, the total height of the fontstruction exceeds that. Couldn't be helped; the curves just make it so. Maybe that disqualifies it from the competition, which is OK, but the design had to take precedence over the rules.
This fs has been in the works for a while and was not specifically begun for the handmadecomp. It started off quite crude...and evolved into the baroque-ness over time. With all the shape possibilities, it may never be 'done' done.
6998316
Published: 29th August, 2009
Last edited: 29th August, 2009
Created: 27th January, 2009
For use at pixel level. Also works at 32pt×x, where x=1,2,4,8,etc. ----- This font has been a long time in the making. The dots are such that the curved shapes and squared-off letters just would not resolve to an equal height no matter what I tried. Then after the mixed x-height that came about in yesterday's la Cross, it occurred to me to just let the letters be as tall as they wanted to be. It seems to work for some odd reason. Can someone please explain why it works?This is a clone
121176233
Published: 24th August, 2009
Last edited: 24th August, 2009
Created: 23rd August, 2009
This one started out quite different; a simple three-line font. While making an alternate B, the curlicue was introduced. A clone and many hours later, Etched was born. Later added borders and decorations when the sample called for it. ----- Works best at 64pt. Set leading to 48pt for a single dividing line in between, 52pt for a double dividing line, and 56pt for a clear break between lines. No kerning required.
Start a new line with < and end it with >.
Top borders: [ \ ] Bottom borders: { | } Top border decoration: ~ Bottom border decoration: / Left border: ( Right border: ) Text decoration: _ Text decoration end (ambidextrous): `This is a clone of fs Etched [Nyle]
71106016
Published: 25th August, 2009
Last edited: 10th December, 2022
Created: 24th August, 2009
This one started out quite different; a simple three-line font. While making an alternate B, the curlicue was introduced. A clone and many hours later, Etched was born. Later added borders and decorations when the sample called for it. Then cloned the clone and stripped it bare...because DJNippa was going to ask for it, wasn't he!. :-) ----- Works best at 64pt. Set leading to between 48pt and 56pt. No kerning required.
Top borders: [ \ ] Bottom borders: { | } Top border decoration: ~ Bottom border decoration: / Left border: ( Right border: ) Text decoration: _ Text decoration end (ambidextrous): `This is a clone of fs Etched
9710988
Published: 15th August, 2009
Last edited: 23rd November, 2009
Created: 15th August, 2009
This started out as a 'why not'. When it showed potential, I added more glyphs to round out the character set.
— Alt. t at { for words beginning with it.
— ll (double l) lig. at } for a nicer fit.This is a clone of fs Fontsration
221115614
Published: 31st January, 2014
Last edited: 4th February, 2014
Created: 30th January, 2014
Somehow the idea for the T popped in my head. Next, I tried to imagine if the same overly bold and fragmented T can be translated to something like an A or S. Therefore, this was just an exercise in trying to fit the basic idea into all characters. Surprisingly, the whole thing came together within minutes. The rest of the time was spent in refinement.