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Still dreaming of 24-pin printers...
This original 24×15 typeface is designed around the limitations presented by the near letter quality (NLQ) output of dot matrix printers (DMPs) during the '80s & '90s. Partially inspired by J. David Sapir's DOS font design program, LQMATRIX, it could have easily been created using that program back in the day.
(The "smart phone"-looking character in the À position is simply a placeholder, used as a quick reference to set vertical height lines while FontStructing.)
Clone of Dot24Pin Sans Outline.
Still dreaming of 24-pin printers...
This original 24×15 typeface is designed around the limitations presented by the near letter quality (NLQ) output of dot matrix printers (DMPs) during the '80s & '90s. Partially inspired by J. David Sapir's DOS font design program, LQMATRIX, it could have easily been created using that program back in the day.
(The "smart phone"-looking character in the À position is simply a placeholder, used as a quick reference to set vertical height lines while FontStructing.)
This is a clone of Dot24Pin Sans OutlineDOTTITI ULTRA LIGHT: Having - like many designers - looked out for decent 3x3 typefaces, I decided to try my own as each existing version had some flaws or didn't completely follow the rules. The slight difference here is that circles are used, giving more readability to some characters. I completely restricted the design to the 3x3 grid meaning some characters are pretty abstract, BUT they follow the rule! #dottiti #zissdesign
This is a clone of Dottiti Extra LightDOTTITI EXTRA LIGHT : Having - like many designers - looked out for decent 3x3 typefaces, I decided to try my own as each existing version had some flaws or didn't completely follow the rules. The slight difference here is that circles are used, giving more readability to some characters. I completely restricted the design to the 3x3 grid meaning some characters are pretty abstract, BUT they follow the rule! #dottiti #zissdesign
This is a clone of Dottiti Med