104136733
Published: 18th August, 2010
Last edited: 18th August, 2010
Created: 17th August, 2010
Well, there was this way to go.This is a clone of fs SquaredUp (and nowhere to go)
64159221
Published: 16th March, 2010
Last edited: 7th June, 2010
Created: 29th August, 2009
The name is derived from this fontstruction trying to emulate the intaglio style.This is a clone
77124627
Published: 23rd May, 2010
Last edited: 23rd May, 2010
Created: 23rd January, 2010
An unoriginal idea that's been sitting around for a while. Don't go by the January 2010 creation date, no; this is a clone of a clone of a different idea (which may see the light of day yet...or not, whichever comes first ;).This is a clone
566856
Published: 15th February, 2010
Last edited: 13th April, 2010
Created: 15th February, 2010
Nothing new here. Just a little something at a 'minimum' scale for the user-pic.
9710988
Published: 15th August, 2009
Last edited: 23rd November, 2009
Created: 15th August, 2009
This started out as a 'why not'. When it showed potential, I added more glyphs to round out the character set.
— Alt. t at { for words beginning with it.
— ll (double l) lig. at } for a nicer fit.This is a clone of fs Fontsration
112114617
Published: 19th November, 2009
Last edited: 20th November, 2009
Created: 6th June, 2009
Bitten by afrojet's coloring technique. In fact this fontstruction owes its completion merely to try out his technique. Thanks, aj.
347513
Published: 4th November, 2009
Last edited: 4th November, 2009
Created: 1st November, 2009
Yet another version that came while modifying AUGHT One to AUGHT To. And believe it or not, in the process of doing these three fonts, enough additional glyphs were created and deleted to fill at least two more variants. This is why the Clone is enabled again so someone else might experiment some more, if they so choose.This is a clone
274894
Published: 13th October, 2009
Last edited: 13th October, 2009
Created: 12th October, 2009
My bold attempt of thalamic's Balance.This is a clone of fs Balance
145208537
Published: 12th October, 2009
Last edited: 12th October, 2009
Created: 11th October, 2009
This was fun to do.
---Not liking the e and the s so much. ---While doing the sample, I found that even though the inter-character spacing is specifically set to one grid space wide, Photoshop was rendering the spacing differently per character pair. Same in Illustrator. Curious, I opened it in FontLab Studio. Turns out, the characters that have a half-wide brick left of the left edge in FontStruct are another half-brick-width over in the TrueType file. The sample is, therefore, manually kerned back to original.
6998316
Published: 29th August, 2009
Last edited: 29th August, 2009
Created: 27th January, 2009
For use at pixel level. Also works at 32pt×x, where x=1,2,4,8,etc. ----- This font has been a long time in the making. The dots are such that the curved shapes and squared-off letters just would not resolve to an equal height no matter what I tried. Then after the mixed x-height that came about in yesterday's la Cross, it occurred to me to just let the letters be as tall as they wanted to be. It seems to work for some odd reason. Can someone please explain why it works?This is a clone
14812819
Published: 24th August, 2008
Last edited: 25th August, 2009
Created: 23rd August, 2008
You are an obsession
I cannot sleep
I am your possession
Unopened at your feet
There's no balance
No equality
Be still, I will not accept defeat
—"Obsession", Animotion
121176233
Published: 24th August, 2009
Last edited: 24th August, 2009
Created: 23rd August, 2009
This one started out quite different; a simple three-line font. While making an alternate B, the curlicue was introduced. A clone and many hours later, Etched was born. Later added borders and decorations when the sample called for it. ----- Works best at 64pt. Set leading to 48pt for a single dividing line in between, 52pt for a double dividing line, and 56pt for a clear break between lines. No kerning required.
Start a new line with < and end it with >.
Top borders: [ \ ] Bottom borders: { | } Top border decoration: ~ Bottom border decoration: / Left border: ( Right border: ) Text decoration: _ Text decoration end (ambidextrous): `This is a clone of fs Etched [Nyle]
It looks quite simple, and in the end, it was, though getting to the end was anything but. This font appears as a clone of ookii because that's where I started it, thinking I'll just add the shadows. Getting the shadows to look natural and line up properly in every character was a geometric challenge. I ended up redrawing the whole thing three times over--in incremental step up of scale before getting it right. I love doing fonts like this one.This is a clone
51078423
Published: 18th February, 2009
Last edited: 16th July, 2009
Created: 8th February, 2009
It started when kolarek posted the RÖFIX logo as his inspiration for his Blokinjo FontStruction. I wondered if that logo could be recreated exactly in FS. Turns out, it could. Having done that exercise, it was time to move on to play with other character designs. In a short while the whole set was done that matched the logo characters. Then the playing really began. Over the last 11 days, enough variations for each character were generated to fill three fonts. This is just one of those three.
$=Alt. s %=Alt. alt. s <=Alt. V >=Alt. W [=Alt. U ]=Alt. alt. W \=K |=Alt. S
284114036
Published: 28th October, 2008
Last edited: 24th June, 2009
Created: 18th October, 2008
Further exploration of the...this...style of type design. I was going to do the uppercase but then I realized that I wasn't. Go figure.
9661417263
Published: 10th August, 2008
Last edited: 24th June, 2009
Created: 10th August, 2008
this electricity
injected into me
emotions running over me
and when you're getting close
you touch my innermost
a feeling deep inside me knows
—"circuit breaker", röyksopp
7934410
Published: 27th March, 2009
Last edited: 24th June, 2009
Created: 27th March, 2009
Permutation: The act of changing the arrangement of a given number of elements.
One font, two different brick combinations.
Picking any two bricks from the 169 available gives a total possible combinations of 14196 (169C2) different fonts. Counting a certain kinds of bricks as one--all four 45degree, for instance--gives 36 unique bricks, resulting in 630 (36C2) unique combinations or fonts.
In this font, if the bricks are swapped with each other, the result will be a different font. Hence order of the bricks matter. In which case, nCr (combinations) is not the right choice. What's needed is nPr (permutations). 169P2 gives 28392 permutations and a 36P2 gives 1260 permutations.
So, at a minimum, 1260 fonts are possible with the current implementation of FontStruct, with just this particular layout of bricks.
1009886
Published: 12th January, 2009
Last edited: 22nd June, 2009
Created: 11th January, 2009
for djnippa.
the short numerals seem all out of order but there is a logic to it. - for 1, _ (shift -) for 2, = for 3, + (shift =) for 4, [ for 5, { for 6, ] for 7, } for 8, \ for 9, | for 0.
Mayan-type alt. numerals at: * for 0, ( for 1, ) for 2, ; for 3, : for 4, ' for 5, " for 6, < for 7, > for 8, / for 9.This is a clone
114128110
Published: 19th February, 2009
Last edited: 19th June, 2009
Created: 11th February, 2009
This came out of the same exercise that produced FIROX.This is a clone of fs FIROX
1445837
Published: 6th September, 2008
Last edited: 16th June, 2009
Created: 6th September, 2008
Synergy of two, energy go wild See the stars align to spell our name out in the sky —"Circuit Breaker", Röyksopp
376198025
Published: 7th October, 2008
Last edited: 12th June, 2009
Created: 30th September, 2008
I really like the way this one turned out. It uses minimal grid blocks to achieve the desired effect (although at ~2x2 and the slivers and the pinhole dots, there are a surprisingly large number of actual bricks used per glyph than evident at a quick glance, although not a single overlapping brick is used without express purpose). I think this is my favorite of all the ones I've done so far. It is with nervous anticipation that I let it free. Go forth and propagate, young font; it's You v World!