This font is Copyright 2014 to 2019 Doug Peters
( https://www.Doug-Peters.com/ or https://Dougs.Work/ ) and released as freeware under the Creative Commons Attribution Share-Alike License. You are entitled to use this font however you want, but please credit me for my original work somewhere (website, blog or social media, preferably with a link back to one of my sites). Credit attribution IS greatly appreciated.
This is based on the SDSU (South Dakota State University) logo.
Categories: Famous, Logo Inspired, Collegiate & Sports (Jersey Lettering)
Type: Slab Serif
Weight: Heavy (Near Black),
Web font: Yes, sure.
Commercial use: Any use, yes, please credit me somewhere? Thanks!
Derivatives: OK (please use a different reserved font name).
Redistribution: Encouraged
P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com
PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner
A vaguely Courierlike OSD (Onscreen Display) font which tries its best to be casual. The name is inspired by the old computer joke: "Who is General Failure and why is he reading my hard disk?"
No filters or faux-beziers, just stock bricks and a bit of stacking/nudging!
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More about the design:
It started as a doodle and an attempt to make a smooth, low-resolution, low-poly font, and then it became a Courierlike. I have other fonts that tried to do polygonal round shapes before this (such as Cartoon Riot) but this design is my first real success in this area.
Initially, I made the angled glyphs before the round ones. I didn't want to change the angled ones, so glyphs like C, O, and Q became a bit wider than they are tall. I'm quite fond of this, because in most designs these glyphs tend to have a tall and narrow character. I think the mildly squat look of this font makes it cuter and gives it more personality.
A lot of glyphs were altered in specific ways to look more like metal type, especially anything with diacritics which touch the letters themselves. Other glyphs were altered specifically to be interpretable at small size. I also use angled contours and actual round bricks alongside each other within the same glyphs, another technique which is geared toward style and interpretability at small size.
This font came with many new challenges and an array of new techniques had to be designed. Loops were an insurmountable challenge because of the low resolution and heavy line weight, so I drew rounded areas to suggest them. You can see it on letters like Greek γ, ζ, and ξ.
A quirky Pseudostencil design with a central horizontal slot going through it. The "slot" is 1 brick tall for lowercase and 2 for uppercase, and becomes a vertical slot for numerals and certain symbols.
This is named for the cowboy and lasagna emojis. These were repeatedly added to then removed from several popular chat clients and websites. Changing emoji standardization or government conspiracy? YOU DECIDE.
I started off trying to do my own geometric font in the same sort of style as United Sans, and before I knew it, it had gone all futuristic. Or, 'what 80s Japan thought now would be like', at least. Still, I liked the direction it was going, so I ran with it.
It's a fair bit larger than my other fonts. Maybe it'll now display decently in my Photoshop.
Mjölnir Flying novelty slab serif display font Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including artistic and creative rights. Version 1.005
Mjölnir is the name of Thor's hammer (God of War), hence, I tried to make the letters resemble some sort of new fangled hammer.
This is a clone of Mjölnir_FSVersion 1.5
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3x3 slab serif. This is based on Wallerton, Anachronistic Gunslinger, an IRC-based "TV show" which I used to write and produce. All the characters in the show were my AIs pretending they were cowboys.
Well, I managed to successfully produce a lowercase for this one!
Recommended: Use with kerning.