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This is my first ever font using ideas to make an heavy sans-serif typeface. I was inspired by elmoyenique and Jamie Place (FontBlast). I'm not stealing ideas from anybody by the way, I've wanted to share something to explain a journey of making my own fonts in life.
I got some aspect of making the glyphs look heavier. I've tried to make the letter f, but it flawlessly has the same height as the other glyphs. If I make number four, than I've obviously make it like this because the slanted bricks are not enough to make up a four glyph. Some of the glyphs (for example: ð, ß, ™, ®) are hard to build it because it was considered to be rounded by its curve and too small if the text was heavier.
When I run out of name ideas, the only idea of this font name i've chose is Lourde (french word for heavy).
A much updated version of the Chicago font used in early Macintosh computers from the 80's. Changes include: Made numerals tabular, extended language support, and additional symbols.
This is a clone of Chicago 12Based on a font identification request over at Typography.guru.
A recreation of the typeface used for the titles of the film Sneakers, evidently inspired by the MICR aesthetics, filtered through the over-the-top flair of arcade video-games graphics.
Only |J|Q|Z| are done from scratch, but most letters still needed some interpretation in order to choose what to keep as a detail and what to discard as just an artefact.
As per the samples available, it's just uppercase (plus the lonely lowercase |c|).
It is possible that the original wasn't a pixel font after all, or that the pixels weren't square, and probably it had a higher resolution than 13×13.
No saben, pero parece que me encariñé mucho de la tipografía Monaco_15 de Susan Kare (Aunque tenga sus Errores).
Lo que pasa con la tipografía es que primero hice la versión bitmap para Windows (.FON) y lo extendí a todos los caracteres Unicode para este formato para que no salga un error en el soporte de idiomas.
Después de muchos años, pude regresar a la pagina que hice esta versión de Monaco_15 llamándolo “MonacoTTF” y lo comencé a desarrollar en el 10/1/2022 y logré extender la cantidad de símbolos disponibles para la fuente.
Recomiendo que lo descarguen su versión TrueType porque comprobé que la versión OpenType contiene errores
(Click para más Información)
La Licencia: SIL Open Font License Update6 15/12/2020
Autora: Susan Kare | Page
WiP. Kerning in Basic latin is finished. In Fontstruct, it is not very convenient to do kerning between uppercase and lowercase and in accented Latin because there are no kerning classes here, so I am not doing them yet.
See more:
https://fontstruct.com/fontstructions/show/932488/xeometro
This is a clone of ztivalia eYe/FS+WIP
See more:
https://fontstruct.com/fontstructions/show/937322/ollivander
https://fontstruct.com/fontstructions/show/1596661/horizon-black-1
https://fontstruct.com/fontstructions/show/1500535/contortion-c
This is a clone of zavantia eYe/FSSee more:
https://fontstruct.com/fontstructions/show/2123322/stf-liquid-disco-solid
This is a clone of Grounded RunAn extra bold version of the Chicago font from early Apple Macintosh computers.
This is a clone of Chicago 12The classic Mac font Chicago but with 1-pixel wide strokes.
This is a clone of Chicago 12See more:
https://www.fontstruct.com/fontstructions/show/745462/fin_struct
https://fontstruct.com/fontstructions/show/859972/exoskeleton_1
https://fontstruct.com/fontstructions/show/1537396/tadpole-4
https://fontstruct.com/fontstructions/show/949368/1_brick_letters
https://fontstruct.com/fontstructions/show/875415/zcaremyself_eye_fs
https://fontstruct.com/fontstructions/show/885633/zyrup_eye_fs
https://fontstruct.com/fontstructions/show/106/nouveau_modular
https://fontstruct.com/fontstructions/show/1473733/diagonia
https://fontstruct.com/fontstructions/show/2385011/tilecipher
This is a clone of MS Micro~Ish