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This feels very bad; it's the first time I'm betraying my oath never to use the grid to feign bezier curves, and one of the few times I betray my principle only to publish complete character sets. At least there is a chance to make amends on the second treason, but this font still deserves it's name: Tradita. (Italian for betrayed)
Alternative a and z on the lowercase. I'll probably add more characters soon enough, but it's unlikely to get an uppercase set.
10 Comments
A very readable and characterful design.
I totally agree with neurone error and funk_king that we shouldn't be too stubborn about our own rules, and that we should let them evolve sometimes... Especially if they're only based on stupid perfectionism that keeps us from doing something great just because it's not 100% perfect.
I guess the reason why I have so long refused to do bezier-fakes here is because I think it's a pity to see so many great ideas that really deserve to be professionally executed in a "real" font design program struggle their way through the grid. I always wanted my fonts to be 100% usable and complete, not only second-best concept sketches describing what I would have wanted it to be if I was able to do them with professional software. Which can be pretty hard with the restrictions of the grid. And I was afraid that the satisfaction of getting good feedback with "grid sketches" alone would satisfy me enough to lose the drive to learn a "real" font design program someday to do "perfect" executions of those ideas.
But since I just haven't found any easy-to-use and affordable font software so far, I figured I could just as well come over to the dark side and learn the dark art of bezier-faking...:)
(By the way, I know that's a lot of quotation marks in so short a note... Just didn't want to offend anyone by calling bezier-imitating fonts imperfect, or fontstruct an insufficient software. Heaven forbid.:) )
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