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I'm a big fan of big fat font.
This is a modest essay.
I try to find a way for skinnier glyph like T or Y to does'nt look to thin compare to rest of font.
Unhappy with the G,H,7
crit and suggestion are welcome
Was'nt sure as well if I should do a monocase font, I tend to prefer when "Space" is not to large.
22 Comments
I'll try some attemp for the G, I'll be back with sample to vote, because I don't know if I'm to tired or what but I can get trought this G.
@frodo: gray dots, I don't understand what you mean, is it bad of good? or do you mean I need to enlarge the spacing ?
By the way I have a question for MASTERS OF FS is it possible in FS to create an "Alternate" glyph like we do in traditionnal font editor (eg: a.alt, &.alt) ?
I tought you ask me to do something to avoid them
ecoute je suis assez fatigué ces temps-ci j'ai beaucoup de boulot... donc parfois resoudre des petits problèmes de design me prends un temps fou
I'm a bit tired these days, small design problem seem to be mountains ;)
of course alternate G are only for test, I'll delete them, there bad.
My flexibilty according to the general concept is low, I only use few bricks and to realize a clear G is a difficult puzzle, Maybe I should take distance and come back on it in a week.
I'll open the [clone] button if anyone have a sharp idea :)
Repose-toi dès que tu le peux, essaie de reprendre des forces.
A+
Thank a lot NE, It's kind of you taking your personal time on my font, I appreciate it.
I'm always please when you comment or crit my work, make me move foward
@Afrojet It's always an honnor to be choose by you as a TOP PICK... Thank you
Well I don't consider myself an expert... do you know the 10,000 hour rule witch says: You have to put over 10000 hours in an activity to have a high level of sucess
I'm still far away from 10000 but I put a lot time on font ;)
http://en.wikipedia.org/wiki/Outliers_(book)
I'm a fan of Malcom Gladwell's work. I'm somewhat skeptical of his 10,000 hour rule and its application when it comes to mastering a technology because many technologies don't last 10,000 hours. Although I did learn a lot from spaghetti sauce.
I was more about the general knowkledge of creating typeface. You will design font no matters witch tool you use to realise it.
Learning proportion, contrast, color, kerning, etc. history of fonts or even each glyph, witch I think is necessary to acheive good font.
I also like multiple tools, eg: creating the first step in FS, bring it and Illustrator to do whatever and finish the work in FontLab.
BUT
I also red somewhere that you design fonts depending the tool you use ;)
Witch I experiment myself, I use to do a lot of Calligraphy, and just by changing the nibs of my pen opens you a different new world
by the way: I'm a big fan of your work. You create good quality font, I'm pretty sure you were designing fonts before FS ;)
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