1:zh 2:: 3:ee 4:sh 5:th 6:ue 7:; 8:ie 9:ooe -:oo ^:ah
q:ng w:w e:e r:r t:t y:y u:u i:i o:o p:p @:ae [:aw
a:a s:s d:d f:f g:g h:h j:j k:k l:l ;:oe ::oy ]:ow
z:z x:dh c:ch v:v b:b n:n m:m ,:, .:. /:! _:-
!:ZH “:" #:EE $:SH %:TH &:UE ‘:' (:IE ):OOE =:OO ~:AH
Q:NG W:W E:E R:R T:T Y:Y U:U I:I O:O P:P `:AE {:AW
A:A S:S D:D F:F G:G H:H J:J K:K L:L +:OE *:OY }:OW
Z:Z X:DH C:CH V:V B:B N:N M:M <:( >:) ?:?
This is my imagination of how Cyrrilic and Latin letters would look like if were more "runic".
Key on keyboard => Resulting letter:
Ss => Ââ Ee => Ŵŵ Uu => Ŷŷ Kk => Ẃẃ,Ýý Ll => Ẅẅ,Ÿÿ
\ => thousands place marker | => affix separator
` => 00 ~ => 000
Left/right => Lowercase/uppercase variant:
,/< => end of sentence ./> => end of section ;/: => sentence pause
[/{ => left parenthesis ]/} => right parenthesis
-/_ => left quotation mark =/+ => right quotation mark
//? => question mark '/" => exclamation mark
https://www.omniglot.com/conscripts/demano.htm
This is a cloneKey on keyboard=>Resulting letter:
Cc=>Țț Gg=>Ņņ Qq=>Ꞌꞌ Xx=>Ķķ
Zz=>Áá Rr=>Éé Yy=>Íí Jj=>Óó Ww=>Úú
.=>: ,=>. “ =>‹ ”=>› ‘ =>« ’=>» "=>¿ '=>· ?=>? !=>!
‽=>‽ $=> &=>ḋ (=>⟨ )=>⟩ +=>+ -=>- /=>/ :=>, ;=>;
<=>| ==>= >=>‖ [=>⟨⟨ ]=>⟩⟩ \=>¦ ^=>⸮ `=>¡
https://www.omniglot.com/conscripts/choyuck.htm
I've noticed that most influential renditions of Wim Crouwel's fonts are incredibly literal in finding solutions to readability.
My influences come from several places and I plan to create "chamfered" and "rounded" iterations of this typeface.
Wim Crowel's "Neue Alphabet" is the primary driver, hence the font name. Crowel's Foundry specimen is reliant on a 5x5 grid with chamfered, 45 degree corners on glyphs.
For this "Classic", bitmap-styled design, I opt out of utilizing any non-rectilinear principle, but keep the 5x5 grid. Characters have been heavily modified with readability in display as the primary driver, and an invented symbol and number system is created to suit the new system.
I'd love to hear what people think of my take!
NEXT=ALPHABET=IS=HERE=FOR=YOU.