One more pixel font.

See more:

https://fontstruct.com/fontstructions/show/426077/jungen_werther

https://www.myfonts.com/fonts/2d-typo/digital-stitch/

https://fontstruct.com/fontstructions/show/1214404/ugly-sweater

https://fontstruct.com/fontstructions/show/235495/peteroque_1

https://fontstruct.com/fontstructions/show/79317/country_1

https://fontstruct.com/fontstructions/show/576589/s ajou_ii

https://fontstruct.com/fontstructions/show/426077/jungen_werther

https://www.myfonts.com/fonts/gallofonts/cross-stitch/

https://www.volcano-type.de/fonts/categories/display/stich_me

A last minute reverse-comp entry. An experiment in letters that exist in-between the lines creating a font that is equally legible when the polarity is reversed

from the category of 'also ran'

Only interesting in theory; the practical application leaves a lot to be desired. Incomplete as well. Only sharing now because vacations are over. Back to work from tomorrow moring. Won't really have time to work on this in any meaningful way anymore. Unless inspiration strikes out of somewhere and I am able to stay awake past my bedtime.

Every glyph has a counter rotated glyph or has self rotational symmetry—all except the c, which remains a loner loser.

paired rotational glyphs: ae bq dp ft hy jr mw nu G9 JR NV 25

self rotational symmetric glyphs: g i k l o s x z Q S Z ! & , ' 

Full disclosure: This fs was started before there was such a thing as Reverse competition. 

Side story on the making: This fontstruction is deceptively simple. It was quite a challenge to execute. Just because the strokes seem flowing doesn't mean they are all placed in the logical grid block. The rounded-off ends forced the bricks to be placed in any of the 8 adjoining blocks and nudged into place. Consequently, due to the nature of nudge only moving as much as half a block in any direction, some compromises had to be made in the shapes.