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10 Comments
SPACE key needs shortening though, it looks a bit gappy. End stem of G seems high, and you must really hate that Y. The thin line looks too fat. Is it possible to do it more like the V but not as steep?
Great work.
just like djnippa say about the C and S (even 6, 9, a...) I think it's what it give all it's power to this font.. we don't fell the grid under. Look very pro
great achievement
Bravo encore!
@chr.s - Don't let this work hold you back from sharing your own. You've got a lot of creative and advanced fontstructions. I have many fonts that are synchronous with others. If I was inspired by someone, I cite the original source. But if I attempt to create something original without any references, and someone else releases a similar design, I'd still cite the design if I am aware of it and label my own as being synchronous. The creativity is still yours if you haven't intentionally copied another. It's your choice to make. Sometimes, the only time I remember I have created a font is when I see it appear as someone else's synchronous design.
I like analyzing the differences in design and approach when synchronous designs come out. Most recently with djnippa's NCD Amphibian Stencil and afrojet's Whoopee. Similar designs, but djnippa cites a slight influence and reveals an evolution of his own previous work. Both are valid and interesting.
@Upixel - Thank you. The entire design was born out of a single small sketch of the lowercase c.
@LexKominek: Thanks Lex. I'd love to see it.
@afrojet: Thanks again.
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