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19 Comments
Can't wait to see what new goodies Mr M has in store for us :)
Some notes on overshoots and such:
· C and G may not need them. Compare to D.
· J’s tail could drop down a little lower.
· Same for the legs of K and R.
· Q’s tail could be smoothed out.
· r is 2 or 3 bricks too wide.
· Try increasing the overshoots at the baseline by a whole brick for a, b, c, d, e, o, p, q, t, u.*
· Try increasing the overshoots at the x-height by a whole brick for b, c, d, e, g, m, n, o, p q.*
· If you increase the x-height overshoot of g, the bottom of the loop will need to drop a brick lower to balance the two counters. As well, c will want to become one brick narrower.
* The easy way to apply these adjustments (expanding counters at their vertical segments) may “square” the lowercase letters a bit too much for your liking. Joins between counters and stems may need to be refined a bit at this point. I have included an animate .gif to demonstrate these quick changes on a–g. Also, I applied the last notes above on c and g for reference.
Above all – awesome work, Ray! 10/10
The reason for revisiting this font is that I was asked if it could be included in a book - "Fashionable Fonts and Decorative Art Parts", to be published by Impress Communications, Inc. in Japan. I decided that I really couldn't allow the original version to appear as it was and so set about the major overhaul that resulted in every glyph being changed.
They have promised to send me a copy when it is published - now all I have to do is learn how to read Japanese!
congrats it's a masterpiece
Making an awesome font, and having it be in a book! It'll soon be 3 things, because this obviously deserves to be a Top Pick. 10/10
:b
I need to get access to this font.
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