@MrBook Not a very good idea to do that for unicameral scripts, you can't just have the glyphs be different in what is technically the upercase and lowercase

You know you could have just used case sensitivity, as the Kynaatt alphabet is only 40 letters long, like this: aABCbcdDXeEfgGhijklLmnNoOQprRsStuUvxyYzZ

(and also avatars failing to load sometimes for the bajillionth time here)

@LorDuFonts A majority of software support COLR color fonts, which is what Windows typically uses for their colored emoji font. Unfortunately, the

Just for fun, and also for more completeness, add: an upside-down version of h, typed as z; open-mouthed versions of h, w, s, j, and z, typed

i made roundo more which is very similar to this

@anonymous-2100581 Well if you are on Windows, Windows doesn't really cares about color on the font files.

Reminds me of Vermin Vibes for some reasons... Well, that's very good.

Wonderfully done!

I was testing my font and noticed the spacebar doesn't look good. Gotta fix it.

You're too late for the Color Competition.

A M A Z I N G

I really like this!

The basic Latin set is complete. The screenshot is to record the current state. I continue to refine the shapes and "curves". 

Next phase:

Happy belated birthday, FS and congrats on this pretty small-countered heavy slab serif, @elmoyenique!

When I squint my eyes and look at the screen, I'm impressed by the fact that with very few angles, you have managed to approximate the curves.

A very refined faceted typeface style. As a result you have created a beautiful font. I quite like the shapes of each glyph. They conform to your creative logic

One of the problems we mentioned is that there's nothing "new" being created anymore. The book has a similar issue that is brought up—but instead of a typeface, it is a song.

Okay, my image of the book, Making Music–74 Creative Strategies for Electronic Music Producers by Dennis DeSantis, isn't sending, but I think I can

Sample didn't work the first time; trying again.

It comes from a seemingly unrelated book.

However, it's little use lamenting without actually doing anything; I do have one suggestion—but it's something we'll need to bring our boss into.

Having joined this project later in the game, I can't really say anything about fontstruct's culture on a wide timescale. however, after coming back

@caterpillar's.kimono: I'm new here, great font btw.  I'd ignore the negativity, nothing about that font is underwhelming.  I don't think everyone manages to grasp the finer points that exemplify a good critique.

@Goatmeal: Thank you for taking the time to share your views on this matter. Your observations are clear; all five points are valid. I miss the good

COOL

Lockstep Title Card Recreation.

@Frodo7 - Don't mind me...  I'm just an old man yelling at clouds.  ;^)

@Frodo7 - Sadly, my friend, I've been wondering the same as of late...

1. An awful lot of cloning where there is either (a.) no change or (b.) only a couple of new glyphs added, which is hardly worth publishing and better

This will be expanded to include material required to create the icons of the new tasks

@elmoyenique: My lowercase o is way bigger. Its design is airtight: one brick overshoots at the top and bottom, no wobbly bricks or misaligned corners. The axis

@elmoyenique: Thank you for your comments and helpful contributions. I always valued your opinion and considered it seriously. Type design is a subjective matter;

(I didn't want to deal with FS comments today. We had parliamentary elections yesterday, and the ruling party has been defeated. The whole political system may change,

I tried this decagonal polygon, which smooths the curves a bit. I don't know if it will be of any use to you, Maestro.

Rules are made to be broken.

The diagonal way wobbleness.

18????? wow this is my year

cool*