Private Use Area (E000 ~ EFFF) contains all kinds of (existing) Latin characters that could normally only be made by using the combining diacritical marks.

All cap bold serif

kerned : Russian, Latin Basic, More Latin

I can't even type cyrillic extended, there are too many letters in latin extended, I don't have greek keyboard either

I wish I could make everything, but I'm a human after all (or am I?), I decided that this is good enough

A cap-font

Suggestions welcome!

See more:

https://fontstruct.com/fontstructions/show/498959/zonora_eye_fs

Ever seen a Z like that?

A light serif typeface incl. some discretionary ligatures.

Nothing Phone font inspired

See more:

https://fontstruct.com/fontstructions/show/2142870/dover-led-v2-4

https://fontstruct.com/fontstructions/show/1406099/nanopixel

https://fontstruct.com/fontstructions/show/2147398/pixel-sans-13-63

Partial greek support, Hopefully not for long

Republished with some accents, diacritics, etc. Likely still in progress (as if anything is ever really finished.)  Cheers,

My take on a thin sans.

It should cover all Western European languages (plus Hawaiian and Hepburn romanisation).

First pass at light kerning done, will be refined with use.

A bold, rounded, mono spaced typeface;  useful at various scales, I think.  Designed primarily for use in English,  also useful in French and Spanish.  It's functionality in Greek is limitted, only really useful in a display context, or where only Demotic usage is required; not useful in Katharevousa, Koine, Classical, etc.  Open Font Liscence, hope it is enjoyable and of use.

Inspired by a type identification request over at Typography.guru.

During developement, the tool has taken over, also helped by the scarcity of letters available in the original, making the design more sans than serif, and with strong MICR vibes in some places.

The name means "shoe shop" (also shoe repair or shoe making) in Italian.

At the moment the language coverage is limited to Western Europe.

Kulibin or Kulidyaka? Kulich?

See more:       https://www.fontsquirrel.com/fonts/list/foundry/alexey-kryukov

https://fontstruct.com/fontstructions/show/152204/unispace

https://fontstruct.com/fontstructions/show/942604/lexiconius

Eda (by Alexander Tarbeev)

http://www.myfonts.com/fonts/shinn/bodoni-egyptian-pro/

http://www.myfonts.com/fonts/shinn/scotch-modern/         

http://www.myfonts.com/fonts/artlebedev/mirta/

Kostro, 21 Cent  (https://yurigordon.com/ru/shop/fonts)

Kazimir, Parmigano, Brioni, Karloff (https://type.today/en)

Marian family(19c), Caponi (https://commercialtype.com/)

https://www.paratype.ru/pstore/default.asp?fcode=PT_FIL&letter=F

http://www.myfonts.com/fonts/itc/caslon-no-224/

https://www.paratype.ru/pstore/yfonts/ITC-Bodoni-72.htm

http://www.myfonts.com/fonts/wiescherdesign/bodoni-classic-cyrillic/text-light/

http://www.myfonts.com/fonts/redrooster/poor-richard-rr/monoline/glyphs.html 

https://www.colophon-foundry.org/typefaces/peggs/

inspired by neue machina and lack

added fun alternates in the private use area

Have you ever tried to add more glyphs to a font you haven't touched for months? Cause I always struggle when I try it… Nevertheless, I'll try to add some more characters as soon as I find time and motivation

withered

Special characters: < (My OC's head), > (A heart), § (FS, though it may not look like it), Capital A with ring under it (alternate glyph for a)

Feel free to use and/or clone.

Fun fact: this was originally named percentage, but I changed it so it fits the style more

The nudge tool was used for some glyphs, like the dollar sign and yen sign.

The "Make Composite" tool was used to make the gradient effect.

Currently working on Katakana

A version of "Western Traintop" with more characters. (Work In Progress.)

fi=Regular $ symbol

work in progress… look closely. any suggestions welcome

A little experiment with the "connect" bricks (and an healty dose of stacking). I wasn't referencing any specific example of the style (of which there are many), but I'm sure that, looking for solutions as I went, I ended up with something similar to already existing typefaces (and fontstructions).

Unfortunately, some connecting bricks don't align exactly, so I had to resort to approximate them, when possible, with more stacking, which didn't particularly help the already lacking consistency in construction.

But enough moaning, enjoy!

By popular demand, I'm very proud to present you this recreation/digitization of Maxim Zhukov's Meander (an experimental modular type design from 1972, which was used in cover artworks for Stereolab's Dots and Loops album and Miss Modular EP).

Now supports Cyrillic characters and includes other custom-made glyphs, like numerals and punctuation marks.

References: Type Journal: "Towards an open layout: A letter to Volodya Yefimov", "Искусство шрифта. Работы московских художников книги. 1959–1974" (The Lettering Art. Works by Moscow book designers 1959–1974), pg. 35

A serif study. Yes, A/V/W directions are flipped. Diacritics etc added later so they might not match 100%

my entry in heavycomp

Feel free to leave a comment :)