Inspired by Briem Script.
I am very proud and happy that I have been awarded a staff pick starfish. ⭐️
Arabic is basic, only Arabic, Urdu and Persian are supported. Alternate samvat forms for 2, 3, and 5 digit years are in PUA. If you wanna remove the notch in U+16AEC, then use U+E000.
Only lowercase Georgian mkhedruli is supported.
Currenty working on Quranic annotation symbols.
My ratings dropped from 9.10 to 8.57??? omg these trolls are ANNOYING
( it is now 9.15 so yay :) thx ACSFM )
@AFontAbove No, this is Patrick.
All cap bold serif
kerned : Russian, Latin Basic, More Latin
I can't even type cyrillic extended, there are too many letters in latin extended, I don't have greek keyboard either
I wish I could make everything, but I'm a human after all (or am I?), I decided that this is good enough
Nothing Phone font inspired
See more:
https://fontstruct.com/fontstructions/show/2470916/bubbly-black-c
https://fontstruct.com/fontstructions/show/2142870/dover-led-v2-4
https://fontstruct.com/fontstructions/show/151519/ledpop_b
https://fontstruct.com/fontstructions/show/1406099/nanopixel
https://fontstruct.com/fontstructions/show/2147398/pixel-sans-13-63
https://fontstruct.com/fontstructions/show/2564059/font-8368
The design of the KVN-Westgate typeface originated from the concrete lettering on the gates surrounding Ben Thanh Market in Ho Chi Minh City, Vietnam. These gates were constructed when the market underwent renovation in the mid-1900s. Having endured for decades, the lettering on the gates represents both the history of the market and the growth of the city, formerly known as Saigon.
Inspiration: https://republi.sh/#westgate
<COMPLETED - NEED SUGGESTIONS & IMPROVEMENTS>
Base height: 8 pixel
X-height: 5 pixel
Descender: 2 pixel
Republished with some accents, diacritics, etc. Likely still in progress (as if anything is ever really finished.) Cheers,
12.07.24
Several glyph refinements:
Latin- 5
Greek- Lower Case bita, gamma, ita, ksi.
01.08.24
Substantial refinements: curved horizontal termini, greater articulation at intersections.
An earlier (1926) constructed alphabet from Jan Tschichold, based on a somewhat finer grid and a slightly less condensed uppercase and a bolder appearance overall.
With a caps-height of 17, reproducing some diagonals proved quickly to be between nightmarish and impossible, thus the fidelity is a bit less exact than my previous recreation.
For a digitisation that encompass both designs and offers proper alternates, you can look at Peter Wiegel’s Tschichold.
This is a clone of Quick and Easy r0A bold, rounded, mono spaced typeface; useful at various scales, I think. Designed primarily for use in English, also useful in French and Spanish. It's functionality in Greek is limitted, only really useful in a display context, or where only Demotic usage is required; not useful in Katharevousa, Koine, Classical, etc. Open Font Liscence, hope it is enjoyable and of use.
Inspired by a type identification request over at Typography.guru.
During developement, the tool has taken over, also helped by the scarcity of letters available in the original, making the design more sans than serif, and with strong MICR vibes in some places.
The name means "shoe shop" (also shoe repair or shoe making) in Italian.
At the moment the language coverage is limited to Western Europe.
inspired by neue machina and lack
added fun alternates in the private use area
This is a clone of Thinlyn (#nfnw)Have you ever tried to add more glyphs to a font you haven't touched for months? Cause I always struggle when I try it… Nevertheless, I'll try to add some more characters as soon as I find time and motivation
withered
Special characters: < (My OC's head), > (A heart), § (FS, though it may not look like it), Capital A with ring under it (alternate glyph for a)
Feel free to use and/or clone.
Fun fact: this was originally named percentage, but I changed it so it fits the style more
The nudge tool was used for some glyphs, like the dollar sign and yen sign.
The "Make Composite" tool was used to make the gradient effect.
Currently working on Katakana
A version of "Western Traintop" with more characters. (Work In Progress.)
fi=Regular $ symbol
This is a clone of Western TraintopA little experiment with the "connect" bricks (and an healty dose of stacking). I wasn't referencing any specific example of the style (of which there are many), but I'm sure that, looking for solutions as I went, I ended up with something similar to already existing typefaces (and fontstructions).
Unfortunately, some connecting bricks don't align exactly, so I had to resort to approximate them, when possible, with more stacking, which didn't particularly help the already lacking consistency in construction.
But enough moaning, enjoy!