This font inspired from a Duck :D! I made this decorative duck typeface look cute by using a curvy shape. I also add some signatures of a duck wich is beak and wings. This work is not yet done, but i will finish it as fast as i can, so please kindly leave commend if i did something wrong, i hope you can give a good suggestion to support my work. :D
Thanks Fonstructor!
Tugas mata kuliah Tipografi 2.
Keber adalah sebuah gabungan tulisan yang dibuat oleh pedagang kaki lima untuk menyatakan apa yang di jualnya.
font ini dibuat untuk keber pedagang kaki lima yang menjual nasi bebek & ayam goreng di kawasan Universitas Kristen Petra.
Tugas Tipografi 2
Keber adalah sebuah tulisan yang dibuat di suatu media yang digunakan oleh pedagang kaki lima untuk memberi tahu apa yang dijual :)
Jenis font ini dibuat untuk pedagang kaki lima yang menjual nasi bebek dan nasi ayam goreng di sekitaran Universitas Kristen Petra Surabaya
This font was made for street food vendor which we call PKL. My team got tahu campur which means mixed tofu. Inspired by the tofu, I made the font literally square like a tofu (lol). Tahu campur has bold taste which result in also a bold font. Shadow made by request. Hope you like the font! Please leave some comments for a better changes so we all can improve. Thanks~
This is a clone of Like a TofuA typeface inspired from Indonesian food called "gado-gado"(salad with peanut sauce). Its texture is soft because of peanut sauce. Rice cakes and potatoes add some blocks texture. So, i made this blocky and soft typeface.
This typeface was inspired by "Pangsit Mie Ayam". Pangsit Mie Ayam is a popular street food in Indonesia. The main ingredients of Pangsit Mie Ayam are noodle, chicken and dumplings.
I created a simple typeface to increase the visibilty because the typeface will be use for the street food store banner. The typeface was made with a curve in the edges to make it more look a like a noodle.
"This typeface still going on progress because it will be use as discussion with classmates..."
Narrow and heavy, ultra bold Piano key designs once required fractional brick scaling to generate their distinctive slit-like counter forms while working with maximum curves. Composite stacks provide a more elegant and versatile solution to this old problem. In this way, they can be seen as an important milestone on the road toward individually scalable bricks...
Letterspacing is kept tight in this fontstruction, but still needs a great deal of manual kerning especially around all the character lacking serifs on one or both sides.
72+ initial downloads done during testing and troubleshooting. More characters to come. Enjoy, and please vote kindly. : )
This is a cloneInspired from well-known pleasant-tasting food in Surabaya (the capital of province East Java), Indonesia, Tahu Tek. If you are a peanut or tofu-lover (or even both) you'll probably love tahu tek. The crunchy-taste of kerupuk be united with delectable half-cooked fried tofu, soft-texture of lontong, frech fries (yes, there is), a little bit of bean sprouts, garnish with pickles and tasty peanut sauce spread all over the half-cooked fried tofu.
I put several element of green soybean pod in my glyphs. Soybean is the main ingredient of tofu also known as bean curd. Let me know if you have some thoughts and critics by giving comments :) I would really appreciate it. ^^
The ultra-low resolution of this grid may be difficult to grasp without cloning. Fontstruct’s logo has a nominal x-height of 3 bricks, by comparison.
The level of detail, control, and finesse possible in a given fonstruction depended mostly on resolution prior to the recent advent of stackable composites. Did you want it better? Make it bigger!
Brute force, now meet Elegance.
Instead of building individual glyphs hundreds of bricks tall, stackable composites allow us to design rich modular schemata hundreds of bricks deep. Using curved bricks at their largest scale, linear and curvilinear elements dynamically harmonize and oppose. As well, screen fonts can be effectively hinted (aside from notable lack of kerning controls) without sacrificing the integrity of joins and intersections. And the trapping possibilities, Oh the sweet sweet trapping possibilities...
Please, vote kindly and stay tuned for more :)
This is a cloneThis typeface form is adapted from a typical Indonesian street food meatballs, a round shape on typeface describes the shape of meatballs, which are round and always served in a bowl of beef broth. The distinctive taste of the meatballs is so enjoyable that it has always been a favorite food of Indonesian society.
Please enjoy a private clone to see how I dealt with contrast, curves, bracketing, variable letter width and the difficult-to-achieve emboldening of the capitals’ vertical strokes within a minimal fontstruct matrix (and If you like what you see, please download for personal usage and vote kindly! :)
Intaglio’s amazing recent work makes similar strides (see the excellent rounds, for example), offering a solution before me to several of these long-standing impasses of the medium.
More characters to come... :)
This is a cloneBumbu kacang is the actual name of Indonesian Salad’s (also known as gado-gado) peanut sauce. The round shape of the typeface inspired by the shape of lontong. The curvy part in the middle and the dots represent the peanut sauce.