Wip. Hashtag No Filters.
The font with great attention to numbers, from which its creation began and they set the style for the rest of the font. The result was an art deco style font with not the most balanced (A so wide), but strictly geometric proportions, as was done on posters of that era.
The name is in honor of Kazimir Malevich, the famous Ukrainian artist with Polish origin. Malevich works: https://arthive.com/kazimirmalevich/works?_lang=EN
FABRIKATA —1920s Art-Deco & Dada Constructivism inspired style
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This is latest in experiments into constructing high quality customized curved shapes in small grid fonts.
For FABRIKATA I intended to break away from the grid completely, and create complex geometric letterforms with ultra smooth custom curvatures (near real Bézier).
This is what became the end result of that endeavour.
FABRIKATA sits somewhere between Alphabet Soup's Grafika typeface, countless of old Dada Constructivism print material and the brand logo lettering for Plantur 39.
OUDVREUGDE'S ONTWAKEN
A recap of the lettering by "Fre Cohen". And as additional supplement I attempted to complete the entire alphabet plus some punctuations.
In loving memory of the great Dutch graphical designer Frederika Sophia (Fré) Cohen(August 11, 1903 – June 14, 1943).
See more:
https://fontstruct.com/fontstructions/show/1598518/cryostasis-vempire
This is a clone of Pressure CSee more:
https://fontstruct.com/fontstructions/show/322449/klonk_1
https://fontstruct.com/fontstructions/show/1503856/cryostasis-1
https://fontstruct.com/fontstructions/show/1598518/cryostasis-vempire
This is a clone of Pressure ExtendedWhat better way to celebrate our bright future than pushing a whole creative medium forward? Introducing Brick Patching – a combinatoric approach to constructing hyper-tunable curved and angular modular forms.
Stay tuned to this space; *eventually I will describe this highly useful hack and fully document the technique.
Upgrade your gray matter cuz one day it may matter.
See more:
https://fontstruct.com/fontstructions/show/1738931/neue-work-sans
https://fontstruct.com/fontstructions/show/1312357/fs-13-coriara
Germes
https://www.fontstruct.com/fontstructions/show/857452/fs_quark
https://www.fontstruct.com/fontstructions/show/1704198/woodend
https://www.fontstruct.com/fontstructions/show/642986/cifira
https://www.fontstruct.com/fontstructions/show/1730945/003130-sans
This is a clone of fs byModernism alphabet
This is a clone of STF_HETERODYNE_(SOLID)FABRICON-CAST is another style variation within the FABRICON family.
This style was inspired by metal casting and apart from some minor varriations I made to the punctuations it's very similar to the other styles in this family. Except that unlike the other styles this one will not combine seemlessly with the rest.
This is a clone of STF_FABRICON_(OUTLINE)A piece of constructivism inspired by Dutch artistic movement "De Stijl".
This is a clone of STF_FABRICON_(OUTLINE)Another recap in a series to attempt to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer" (15 april 1926 – 1 juli 1990).
This time I revisited the lettering for "BREDERO BOUW BEDRIJF" and completed the entire alphabet and some additional punctuations.
I hope you like it.
A piece of constructivism inspired by Dutch artistic movement "De Stijl".
This is a clone of STF_FABRICON_(OUTLINE)Modernism alphabet
This is a clone of STF_HETERODYNE_(OUTLINED)Modernism alphabet
This is a clone of STF_HETERODYNE_(SOLID)Recap of the lettering seen on a old brochure by Wendingen for the "Internationale Theater Tentoonstelling Amsterdam 1922"
The brochure and letters were designed by:
"Hendricus Theodorus Wijdeveld" (4 october 1885 – 20 februari 1987).
As usual I completed the alphabet, but (since its mainly a display typeface) this time I used the punctuations to store some glyphs meant to be used for drawing ornamental decorations as seen on the original brochure design.