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Buy and download “Black” fonts at MyFonts.
If you want the FULL FAMILY x 12 styles Sans, Serif, Slab, normal caps, small caps and alternative variations including the European Set then send $18 via PayPal to djnippa@hotmail.com.
Roughly based on my NCD Black Square fontstruct, but massively scaled up to accommodate the internal lines.
I found that the small caps version works nicely when used in odd combinations with the lower case. Particularly the upper 'R'.
Most difficult characters were the F/f. I wasn't too keen on the open space they made, so I've added more than a few alternatives. The 'r', 'J' & 'L' gave me a similar visual dilemma.
I have also completed a version with Normal Caps. Which will be displayed soon.
ALTERNATIVES
============
# = d (stem facing other way)
^ = e (extended arm)
< = F (rounded top edges)
* = f (over lapping next character)
\ = f (alternative with extended tale)
] = g (old style)
% = g (old style with ear)
[ = g (extended foot)
‡ = I (alternative)
} = J (alternative)
> = M (Monospaced)
{ = r (shortened arm)
` = S (alternative)
§ = W (alternative)
~ = y (extended foot)
If you're name's Thalamic, Afrojet, Intaglio, jMarquez, Minimum, Kix, Geneus1, MagicSam, Shasta, beate, Funk_King, Em42, Empar, or anyone else's work I've may have downloaded, then please email me, and I'll send you the final version .... if you want a copy that is. :-)
At the end of October I decided to dive into the new Bricks 'Connect'. I started with the lowercase 's' & 'a'. Working out what the minimal size I could fontstruct it in, then expanded and condensed it from there to accomadate the rest of the glyths. You can still see these in the font above (Just before the Latin characters. As I progressed I came to love the thin white gaps, and then tried to have every glyth with some element of the curved white gap in it. Some were more successful than others. As you can see, I have included the less preferred options at the end. I've also designed some of the final glyphs in illustrator, as it was impossible to have all of them with one white line, without help from an external app.
The most difficult glyphs to create and ultimately the most satisfying once completed were the 'V' and '~'.
I liked the look of final font so much, that I decided to create a whole family. Cableguynium 0 (which has Zero cables), CableGuynium 2 (which has 1-2 cables per glyth), and CableGuynium 3 (Which has 3-4 cables).
Unusually I struggled naming this font, I have early versions saved called Flowonica, Rubber Tyre, Ice Skater and Fibropticon, ..... eventually settling on CableGuynium as it was the most memorable.
ANY CRITICISM, GOOD OR BAD IS WELCOMED.
Narrow and heavy, ultra bold Piano key designs once required fractional brick scaling to generate their distinctive slit-like counter forms while working with maximum curves. Composite stacks provide a more elegant and versatile solution to this old problem. In this way, they can be seen as an important milestone on the road toward individually scalable bricks...
Letterspacing is kept tight in this fontstruction, but still needs a great deal of manual kerning especially around all the character lacking serifs on one or both sides.
72+ initial downloads done during testing and troubleshooting. More characters to come. Enjoy, and please vote kindly. : )
This is a cloneAn original Art font that uses the tops, bottoms & sometimes middles of a font to communicate the character. This requires users to read texts as opposed to scanning them, but because visual cues are available it is still legible.
This font is Copyright 2018 & 2019 Doug Peters ( https://www.Doug-Peters.com/ or https://Dougs.Work/ ) and released as freeware under the SIL Open Font License. You are entitled to use this font however you want. Credit for my original work IS greatly appreciated.
Categories: Abstract, Art, Logotype, Poster/Display & Novelty
Type: Sans Serif Stencil
Weight: Heavy/Black
Web font: Yes
Commercial use: Any use, yes!
Derivatives: OK (please use a different reserved font name & update docs).
Redistribution: Encouraged
Fontstruct is this font's development home, though if development is occuring simultaneously, the available font may have a few errors as I work things out:
https://fontstruct.com/fonstructions/show/1509250
Short Link: https://w3n.us/blownoutdev
The official documented release font archive is on Font-Journal:
https://www.Font-Journal.com/fonts/13444/blown_out.php
Short Link: https://w3n.us/blownout
Submitted to Google Fonts April 10th, 2018:
https://github.com/google/fonts/issues/1528
Short Link: https://w3n.us/1528
P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com
My branding & marketing Co.:
https://www.SymbioticDesign.com
PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner
Black and rounded display font. Made with 2:2 filters, x height = 2 bricks (yes, truly), UC height = 2,5 bricks, and descenders = 0,5 brick. Plus: "ff" and "tt" ligatures placed at the "fi" and "fl" glyphs, and a lot of kern done but more in progress. Enjoy, please.
PS: Thanks to @Sed4tives for his continuous, selfless and very helpful help on improving this font. I'm in debt, compa!
When I saw the New Year's greeting from the great geneus1 I started to think about how a font would look with the height of the capital letters equal to the lowercase x. This is the result. I hope you like it as much as I do.
This is a cloneTwin brother of zeronda, with more spectacular and rare large serifs. This font is a pretty little thief to me: with its big serifs it stolen my hart. It was love at first sight, as soon as I started I couldn't stop adding them to the glyphs. Only caps/unicase, also includes an "a" and "e" alternates... and a little "c" in the "¢" glyph. Kern in progress. Enjoy.
This is a clone of zeronda eYe/FSThis font is Copyright 2014 to 2019 Doug Peters
( https://www.Doug-Peters.com/ or https://Dougs.Work/ ) and released as freeware under the Creative Commons Attribution Share-Alike License. You are entitled to use this font however you want, but please credit me for my original work somewhere (website, blog or social media, preferably with a link back to one of my sites). Credit attribution IS greatly appreciated.
This is based on the SDSU (South Dakota State University) logo.
Categories: Famous, Logo Inspired, Collegiate & Sports (Jersey Lettering)
Type: Slab Serif
Weight: Heavy (Near Black),
Web font: Yes, sure.
Commercial use: Any use, yes, please credit me somewhere? Thanks!
Derivatives: OK (please use a different reserved font name).
Redistribution: Encouraged
P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com
PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner
This is zimmera without scratches, more usable for general purposes. Thanks to @frongile for encouraging me to add it here. Hope you like it.
This is a clone of zimmera eYe/FS