40521
Published: 10th September, 2015
Last edited: 10th September, 2015
Created: 19th August, 2015
...so, it kind of looks like bauhaus. Wow. Still working some things out.
190481
Published: 31st March, 2015
Last edited: 1st April, 2015
Created: 31st March, 2015
Font inspired on lettering seen in a 1961 book on graphic effects in construction drawings.
60722
Published: 7th October, 2014
Last edited: 7th October, 2014
Created: 7th October, 2014
Clone of Negative and positive dot.This is a clone of Negative and positive dot
110721
Published: 24th September, 2014
Last edited: 7th October, 2014
Created: 23rd September, 2014
This was design for my Modular Letterforms project, It inspired by Wim Crouwel and Bauhaus.
1411541
Published: 18th September, 2014
Last edited: 14th September, 2014
Created: 13th September, 2014
Creato nel 2014 da Salvatore Piscopo. 900 Stencil è un font sans serif dalle forme geometriche, ispirato ai caratteri noveceteschi di scuola tedesca (Bauhaus di Walter Gropius), in particolar modo allo Stencil di Joseph Albers (realizzato tra il 1926/31). Il 900 Stencil si distingue da quest’ultimo per la presenza delle aste oblique e la linea di separazione verticale (tipica dei font stencil) presete in ogni glifo, inoltre, seppur chiudendo un angolo di 90°, i vertici arrotondati di alcune lettere non si intersecano con l’intera larghezza delle aste verticali, donando al font, sopratutto nelle lettere maiuscole, un apetto piuttosto squadrato, che ne rende complessa la lettura, ma che si presta perfettamente alla comunicazione visiva.This is a clone
50412
Published: 3rd July, 2014
Last edited: 3rd July, 2014
Created: 3rd July, 2014
Based upon a De Stijl design by Theo van Doesburg (1883–1931) from 1919.
This typeface seems to use a 5×5 pixel grid at first look, but letters ‘B’, ‘D’ and ‘V’ require 10×10 pixels. Doesburg made some choices that you don’t find in modern pixel fonts.
Only uppercase characters and digits, some variants at lowercase letter positions.
Please note that this has been fontstructed before, but in slightly different ways: http://fontstruct.com/fontstructions/show/architypixel_doesburg_5x5
http://fontstruct.com/fontstructions/show/architypixel_doesburg_25x25
http://fontstruct.com/fontstructions/show/276556
1601455
Published: 25th March, 2014
Last edited: 26th March, 2014
Created: 25th March, 2014
A font based on Boris Bilinsky's poster for the 1927 film Metropolis' French release.
306522782
Published: 7th February, 2014
Last edited: 7th June, 2014
Created: 6th February, 2014
A simple modern triple inline deco.
This is the small caps version.This is a clone
20152124
Published: 23rd July, 2013
Last edited: 25th July, 2013
Created: 23rd July, 2013
The slab brother of Hieronimus, more decorative and with ascenders and descenders.This is a clone of Hieronimus
195984
Published: 18th June, 2013
Last edited: 19th June, 2013
Created: 14th June, 2013
I first thought about this font when doing the lowercase of Blackfoot. A couple weeks later, it gets its own font!
3631785
Published: 17th May, 2013
Last edited: 17th May, 2013
Created: 17th May, 2013
Blackfoot is a fusion of Art Deco and Bauhaus. Boldly type with Blackfoot!
Blackfoot est une fusion de l'Art déco et Bauhaus. Entrez hardiment avec Blackfoot!
Blackfoot ist eine Fusion von Art Deco und Bauhaus. Mutig mit Blackfoot geben!
Blackfoot es una fusión de Art Deco y Bauhaus. Valentía escribir con Blackfoot!
134671
Published: 19th December, 2012
Last edited: 20th December, 2012
Created: 19th December, 2012
My first idea for this font was to create a Bauhaus-Futura-looking FontStruction on a small grid. But later, i let that "Bauhaus-Futura-Idea" go away. So i created my own style: WLM Future Round is an unusual, decorative, fun typeface that is good for all things with circles. So, do you make a logo with circles? Use Future Round! :D
Oh yeah: this isn't very good, because i used a 4 by 2 grid :D
120302
Published: 29th October, 2012
Last edited: 29th October, 2012
Created: 17th October, 2012
Inspired by the geometric mazes created by nuclear power circuits, this typeface has been designed so each character works not only in its conventional place but with the space around it also. The aim was to reduce complexity to achieve a unique effective typfeace.
245854
Published: 27th October, 2012
Last edited: 20th April, 2013
Created: 27th October, 2012
FontStruction based off one of the concept FontStruct Logos.
80991
Published: 23rd October, 2012
Last edited: 25th November, 2012
Created: 21st August, 2012
A fonte popots foi inicialmente inspirada na fonte bauhaus e em seus traços extremamente
geométricos, pois torna a fonte um pouco feminina e simétrica, após algumas pesquisas de
referências optei por seguir com os traços arredondados trabalhando com círculos perfeitos
produzindo então uma fonte cheia de sinuosas curvas.
280952
Published: 10th August, 2012
Last edited: 3rd May, 2021
Created: 9th August, 2012
Bauhaus influenced typeface for the Tengwar of Fëanor, originally designed by J.R.R Tolkien