A font made to the height of the visible field when the FontStructor is zoomed all the way out on my screen. I've always wanted to make something that vaguely pushed one of FS' limits - in this case, the height of the field which I can observe without scrolling.
Well, I could've made this even taller, but I wanted it to be somewhat useable at least. :D
This was originally a pixel design, but then I changed my mind and converted it to high-res. That gave it a more architectural look.
A dashed line design made with the new half-arc bricks. The emphasized spurs/stems and off-kilter geometry give it a quirky, almost handwritten quality. Its striped appearance makes me think of candy as well as the Cheshire Cat, thus the name. :D
I doubt the upper case would look as cute as the lower. So I've cloned all LC to UC to make this easier to use...
Version 1.2
*
A slightly futuristic and stencilesque design using halfwidth bricks.
The idea here was to make every glyph simple and minimal, not only in terms of overall geometry but individual line connections as well. Some glyphs are still more complex/less minimal than others, but I think it's a good amount of variety.
Experimental sliced sans serif. My goal here was to make a design which would result in an extremely compact and durable physical stencil. Almost all of the sharp points and acute angles are within the negative space, so it should be easy and very safe to make, handle and work with this stencil.
*
Version History
1.3 - added More Latin and Google Fonts Basic bands.
1.2 - added uppercase, changed name to "Aegris Stencil".
1.1 - edited for more readability at small size. Glyphs with enclosed loops were altered so that the "movement" of the segments always runs clockwise.
1.0 - released.
Comments Welcome
See more:
https://www.fontstruct.com/fontstructions/show/743862/let_s_remix_echo
https://fontstruct.com/fontstructions/show/866282/bedu
https://www.fontstruct.com/fontstructions/show/1633497/so-that-was-a-fucking-lie
https://fontstruct.com/fontstructions/show/1234355/5headliner
https://fontstruct.com/fontstructions/show/435954/monotwist
https://fontstruct.com/fontstructions/show/1312355/modernedsormr
https://ru.ffonts.net/Brothers-of-Metal.font.viewreview
https://fontstruct.com/fontstructions/show/860986/nectarine
https://fontstruct.com/fontstructions/show/772601/luikeza_4
http://www.velvetyne.fr/fonts/gulax/
https://fontstruct.com/fontstructions/show/367567/falcone_narrow
Experimental 5x3 font. This went through quite a few iterations! The result is surprisingly readable, but still not quite something I'd want to use as a chat font.
In making this I did my best to avoid compression and truncation, trying instead to use the interpretation of light as my guide. Many glyphs don't look much at all like what they represent, but as my eye glides over them, they make sense and I read them without issue.
An experimental doodle that reminds me of guitar straplocks.
*
See also:Candylander
A serif font wherein almost every glyph has serifs and the serifs determine a glyph's shape. All lines that are not serifs or forming a vertex with a serif are isolated. This is a different technique than I used for Lonewolves Guild and Nurvusystem.
This is a borderline IVO design, not because of its appearance, but because it requires the same set of visual considerations to interpret.
See more:
https://fontstruct.com/fontstructions/show/1604109/dojin
https://fontstruct.com/fontstructions/show/1511659/stf-a-s-c-communications
This is a clone of TLoF PixelBloac Typeface is an experimental typography study project. The objective of the work was to develop typography that expressed its own identity and was consistent with the formal archetypes of the Latin alphabet. The design guideline chosen was to create the set in uppercase, in the regular style. The display custom font, inspired by building forms, carries the anatomical construction based on geometry, also brings the repetition of the rectangular stem as an identity element. I hope you enjoy that!