Grulla's letters –built on a 2x3 square grid– have (tri)angular counters & square terminals. Counterspace=letterspace, letter /f/ is kerned onto "rounded" letters (fc,fd,fe,fo,fs). Diacritics support spanish (hello from Argentina!)
Unleash the power of the... SLAPPERDAPPER! For the whole family!
a typeface inspired by the music of this artist, billboard lettering and brutalism
a monospace font inspired by inktraps, reverse contrast typefaces and the works of bagerich type foundry
i tried to make a typeface just like brutal clones
This is something I've doodled on for a while. I'd like to incorporate shapes other than triangles and rectangles into this but I'm just too busy with other projects. Feel free to continue it, make it better, or whatever.
I had help from BWM for suggestions to improve a lot of the glyphs. Thanks, man!
By popular demand, I'm very proud to present you this recreation/digitization of Maxim Zhukov's Meander (an experimental modular type design from 1972, which was used in cover artworks for Stereolab's Dots and Loops album and Miss Modular EP).
Now supports Cyrillic characters and includes other custom-made glyphs, like numerals and punctuation marks.
References: Type Journal: "Towards an open layout: A letter to Volodya Yefimov", "Искусство шрифта. Работы московских художников книги. 1959–1974" (The Lettering Art. Works by Moscow book designers 1959–1974), pg. 35
Bloac Typeface is an experimental typography study project. The objective of the work was to develop typography that expressed its own identity and was consistent with the formal archetypes of the Latin alphabet. The design guideline chosen was to create the set in uppercase, in the regular style. The display custom font, inspired by building forms, carries the anatomical construction based on geometry, also brings the repetition of the rectangular stem as an identity element. I hope you enjoy that!
A double-line style with a twist. Named for the Exage Viral Armada (EVA), a mutagenic virus featured in several of my own games and stories. EVA causes rapid limb bifurcation and the spontaneous generation of butterflies, both of which can be seen in various glyphs from this design.
The exact rules for this are somewhat complicated, and based on structural as well as visual analysis. The basic idea can be seen on glyphs like k and x: Closed loops (double line) are joined by single lines which turn back on themselves to create the illusion of more lines. Of course, this idea had to be modified for most of the other glyphs, for the sake of stylistic consistency and visual interest. Particularly, almost all the spurred glyphs have the double-line structures open up to form the spurs.
This is a cloneSee more:
https://fontstruct.com/fontstructions/show/438854/pixel_reto