Fontstructions tagged with “Complex”
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HIGH SOCIETY
by charlieglong8.03
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Balanced Rating: 8.03
Average Rating: 10.00
Click for more information about this rating. 1 vote You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.03
Average Rating: 10.00
Click for more information about this rating. 1 vote You voted ? for this FontStruction. You may change your vote at any time.
110321
Published: 30th November, 2018
Last edited: 30th November, 2018
Created: 23rd October, 2018
Last edited: 30th November, 2018
Created: 23rd October, 2018
HIGH SOCIETY
This font was created based originally on the word 'Gregarious'. From that I researched Social Housing in the UK. These are spaces designed to house many people for as cheap as possible. I used compound blocks to create complex detailed flats that stack up as high as a tower block usually would.
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Gardening Days
by Lemoner Man8.03
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Balanced Rating: 8.03
Average Rating: 9.00
Click for more information about this rating. 2 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.03
Average Rating: 9.00
Click for more information about this rating. 2 votes You voted ? for this FontStruction. You may change your vote at any time.
Labryinth
by sofakingcool698.11
Click on the stars to rate this FontStruction.
Balanced Rating: 8.11
Average Rating: 8.50
Click for more information about this rating. 6 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.11
Average Rating: 8.50
Click for more information about this rating. 6 votes You voted ? for this FontStruction. You may change your vote at any time.
Koonkon
by Nementor7.30
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Balanced Rating: 7.30
Average Rating: 6.00
Click for more information about this rating. 1 vote You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 7.30
Average Rating: 6.00
Click for more information about this rating. 1 vote You voted ? for this FontStruction. You may change your vote at any time.
70572
Published: 27th October, 2015
Last edited: 27th October, 2015
Created: 21st October, 2015
A type face for the Zenozian language, in this version S=sh T=th C,c=ch Z=zh and X,x= oo A=/e/ E=/i/ O=/o/ I=/ai/ and U=/uo/. I will make a font like this to write in English as well, but if you use this one for English and you can read the actual writing.
Last edited: 27th October, 2015
Created: 21st October, 2015
A type face for the Zenozian language, in this version S=sh T=th C,c=ch Z=zh and X,x= oo A=/e/ E=/i/ O=/o/ I=/ai/ and U=/uo/. I will make a font like this to write in English as well, but if you use this one for English and you can read the actual writing.
Madina Script
from MyFonts
Some fonts you just can’t FontStruct.
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Buy & download premium fonts on MyFonts.com
fs Rasclart
by liamseager8.32
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Balanced Rating: 8.32
Average Rating: 8.50
Click for more information about this rating. 18 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.32
Average Rating: 8.50
Click for more information about this rating. 18 votes You voted ? for this FontStruction. You may change your vote at any time.
30863044
Published: 26th October, 2014
Last edited: 26th October, 2014
Created: 12th October, 2014
Initially contemplating the concept of fluidity, looking at handwritten brush types, lead me to the idea of continuity and landed me with the category of 'continuous.' The central influence leading me to this final typeface was a Social Network diagram, where lines meet seemingly infinitely. The final product ended in a decorative, kinetic font with the use of negative space to create the emerging letters. With the typeface being difficult to read on first inspection, and the overall look of the font makes its uses limited, however I feel it could be successful in many event posters/leaflets etc.
Last edited: 26th October, 2014
Created: 12th October, 2014
Initially contemplating the concept of fluidity, looking at handwritten brush types, lead me to the idea of continuity and landed me with the category of 'continuous.' The central influence leading me to this final typeface was a Social Network diagram, where lines meet seemingly infinitely. The final product ended in a decorative, kinetic font with the use of negative space to create the emerging letters. With the typeface being difficult to read on first inspection, and the overall look of the font makes its uses limited, however I feel it could be successful in many event posters/leaflets etc.
Uzrolei
by rikimaru0.00
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Balanced Rating: 0.00
Average Rating: 0.00
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Balanced Rating: 0.00
Average Rating: 0.00
Click for more information about this rating. 0 votes You voted ? for this FontStruction. You may change your vote at any time.
90711
Published: 3rd November, 2012
Last edited: 3rd November, 2012
Created: 2nd November, 2012
The uzrolei word (for me) stands for 70% complexity and 30% simplicity. Just memorize all of them and you'll get handle on reading it. -Asterisk still not created -be sure to use caps lock this font does not use small letters, turn your caps lock. -i will make small letters soon -i'll update it as i can
Last edited: 3rd November, 2012
Created: 2nd November, 2012
The uzrolei word (for me) stands for 70% complexity and 30% simplicity. Just memorize all of them and you'll get handle on reading it. -Asterisk still not created -be sure to use caps lock this font does not use small letters, turn your caps lock. -i will make small letters soon -i'll update it as i can
Janet
by erikwinterburn8.23
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Balanced Rating: 8.23
Average Rating: 8.56
Click for more information about this rating. 9 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.23
Average Rating: 8.56
Click for more information about this rating. 9 votes You voted ? for this FontStruction. You may change your vote at any time.
183314
Published: 29th October, 2012
Last edited: 29th October, 2012
Created: 23rd October, 2012
a typeface centred around the key theme/word 'shadow'. I started looking at how the time of day effected the shape and the size of the subsequent shadow cast. However, I then moved onto the ideas of bevels and a more subtle shadow effect created by raised centres of the letterforms. The 'impossible triangle' effect came from a idea that was brought up in a critique about 'extending it and making it really elaborate'. The name is chosen because I think that typefaces should have friendly names.
Last edited: 29th October, 2012
Created: 23rd October, 2012
a typeface centred around the key theme/word 'shadow'. I started looking at how the time of day effected the shape and the size of the subsequent shadow cast. However, I then moved onto the ideas of bevels and a more subtle shadow effect created by raised centres of the letterforms. The 'impossible triangle' effect came from a idea that was brought up in a critique about 'extending it and making it really elaborate'. The name is chosen because I think that typefaces should have friendly names.
Shadow
by Patrick Gregory (snooppuppy1)0.00
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Balanced Rating: 0.00
Average Rating: 0.00
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Balanced Rating: 0.00
Average Rating: 0.00
Click for more information about this rating. 0 votes You voted ? for this FontStruction. You may change your vote at any time.