Published: 24th December, 2011
Last edited: 4th January, 2012
Created: 22nd December, 2011
Typeface based on the work of Victorian Designer and Architect E. W. Godwin (1833-1886) born in Stokes Croft, Bristol. He was influential in the Aesthetic movement that created "the look" of Victorian Britain. He began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide designs in the "Anglo-Japanese taste" of the Aesthetic Movement and Whistler's circle in the 1870s. A friend of Oscar Wilde, James Whistler and William Burges he was also the father of revered actress Dame Ellen Terrys illegitimate child. Godwin's influence can be detected in the Arts and Crafts Movement. To judge from his sketchbooks at the Victoria and Albert Museum, one might have expected an eclectic historicist, but Godwin, by no means a tame reproducer of antiquarian Gothic designs, was among the first to extend the European design repertory to include the arts of Japan, which had been opened to the Western world in 1853. His work is undergoing a revival since he was jokingly adopted as the patron saint of Stokes Croft by community action group the Peoples Republic of Stokes Croft. The group aim to to put some of his finest architectural achievements in the city back to good use as many of them despite being buildings of some historical significance lie empty and unused. His design work is being reincorporated into the urban landscape through the community organisation's programme of public art and his style has recently been adopted by a number of Street Artists including Dones and Felix Braun so his work is undergoing some kind of a revival.The glyphs are all based on the patterns from his sketchbooks.
Published: 17th October, 2010
Last edited: 16th April, 2012
Created: 12th October, 2010
Another typographic bulldozer. Inspired by "Astro" and other excellent fonts by the Japanese designers at Maniackers Design (http://mksd.jp/).
Published: 16th February, 2010
Last edited: 16th March, 2010
Created: 14th February, 2010
I began this fontstruction as a challenge to create a seriffed pixel font with grid characteristics similar to iSlab’s 8 pt setting (bearing an x-height of four pixels). This inspiration began with similar shapes and roots as its predecessor, but evolved from there once it quickly became clear that those shapes really could not be reproduced with strict pixels.
Then I went on a bender creating the katakana and hiragana character set.
Then I went crazy with filters and single brick substitution.
Published: 25th November, 2009
Last edited: 23rd April, 2015
Created: 17th October, 2009
A monospaced pixel font with over 8000 glyphs! 7 pixels wide, 12 pixels tall. Some characters may be wider than 7 pixels to make them connect with other characters.
Published: 23rd September, 2009
Last edited: 24th September, 2009
Created: 21st September, 2009
Just another japanese-style western font. "Raten Moji" (ラテン文字) is the japanese for "latin alphabet".
Published: 25th May, 2008
Last edited: 22nd June, 2009
Created: 25th May, 2008
FontStruct version of Doris Orange by T26 (thanks to Eskema for helping with identifying it).
Oriental, Japanese-looking font.