This is my first attempt to design a super compact font to be realized with my modular rubberstamp system.
In January 2021 I was contacted by Pranksy of NFTBoxes.io that asked me to design an artwork for a new kind of collectible (we call them "NFTs" is the trend of 2021, I'm in this since 2018). The idea was to produce a piece in the theme of "innovators" and the main curator and artist of the subscription was Mr. Coldie!
I know Coldie since my inception in Superrare, he's one of the most incredible artists and creators of this space that we call "Cryptoart". He's doing a lot of strange things, but I noticed we both started doing our mad things using photocopier machines.
So I had this idea to realize a schematic of the working process of the photocopier. You can see the result HERE, there are 500 digital copies of the artwork available, you can buy one with some Ether, the cryptocurrency, if you want.
This font is the digital test, still be completed, that I've used for the artwork.
See more:
https://fontstruct.com/fontstructions/show/1675535/cialde-1
https://www.fontstruct.com/fontstructions/show/1203629/bose_sharp
https://www.fontstruct.com/fontstructions/show/837567/rider_5
https://fontstruct.com/fontstructions/show/1677173/lasso-4
Low-poly font.
https://fontstruct.com/fontstructions/show/1627671/delievevrouw-2-1-3-1
This is a clone of TLoF NatureSee more:
https://www.fontstruct.com/fontstructions/show/459390/macaroni_11
https://www.fontstruct.com/fontstructions/show/374948/altipen
https://www.fontstruct.com/fontstructions/show/775432/qursifus
https://www.fontstruct.com/fontstructions/show/1054170/submarine_connected
https://www.fontstruct.com/fontstructions/show/800559/inline_9
https://www.fontstruct.com/fontstructions/show/769007/teka_1
https://www.fontstruct.com/fontstructions/show/1519595/beautiful-things
https://www.fontstruct.com/fontstructions/show/1592201/spacerock-classic-ii-1
This is a clone of Golden CocerelCover-Ups & Lies Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including artistic & creative rights. Version 1.0
https://www.Doug-Peters.com
https://Dougs.Work
https://www.Font-Journal.com
https://Worthful.com
https://W3N.US/DPFonts
https://www.Domainance.com
https://shop.DomainHostmaster.com
https://HDWebHosting.com
https://SiteHostPros.com
Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including artistic & creative rights. Version 1.0
https://www.Doug-Peters.com
https://Dougs.Work
https://www.Font-Journal.com
https://Worthful.com
https://W3N.US/DPFonts
https://www.Domainance.com
https://shop.DomainHostmaster.com
https://HDWebHosting.com
https://SiteHostPros.com
Astrok Rounded font Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including artistic & creative rights. Version 1.0
https://www.Doug-Peters.com
https://Dougs.Work
https://www.Font-Journal.com
https://Worthful.com
https://W3N.US/DPFonts
https://www.Domainance.com
https://shop.DomainHostmaster.com
https://HDWebHosting.com
https://SiteHostPros.com
Astrok font Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including artistic & creative rights. Version 1.0
https://www.Doug-Peters.com
https://Dougs.Work
https://www.Font-Journal.com
https://Worthful.com
https://W3N.US/DPFonts
https://www.Domainance.com
https://shop.DomainHostmaster.com
https://HDWebHosting.com
https://SiteHostPros.com
See more:
https://fontstruct.com/fontstructions/show/712911/integrafia
https://fontstruct.com/fontstructions/show/839596/fs_strips
https://www.fontstruct.com/fontstructions/show/1521406/tm-encounter
https://www.fontstruct.com/fontstructions/show/1727194/untitled-175-2
https://www.fontstruct.com/fontstructions/show/709430/stensei
https://www.fontstruct.com/fontstructions/show/1468246/stencilshard-1
https://www.fontstruct.com/fontstructions/show/955894/bayer14
This is a clone of Corporate logo fontAstrok Outline font Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including artistic & creative rights. Version 1.0
https://www.Doug-Peters.com
https://Dougs.Work
https://www.Font-Journal.com
https://Worthful.com
https://W3N.US/DPFonts
https://www.Domainance.com
https://shop.DomainHostmaster.com
https://HDWebHosting.com
https://SiteHostPros.com
"Knot" font Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including artistic and creative rights.
This is a clone of Knot Cartoon FS'Knot_Cartoon' font Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including artistic and creative rights. Work In Progress (will require Glyphs or other pro font editor to finish).
WIP
I am glad that I could recover my font again.
I did a few changes with the old one, that was... deleted.
After that I will aways clone my fonts to make sure I will recover them if something like that happens.
Anyway,
That font is based on a picture I find on pinterest, unfortunaly I cound't find the font that was inside inside that picture so I simply tried to "re-create" on Fontstruct.
The link of that image is here:
https://www.behance.net/gallery/4929439/Volcano-typeface
Note: To turn the font more original, it will be changing over the time
A field (for the Stars without the star cut-outs) layer of multilayer font family Starfield & Stripes, Copyright 2014-2019 Doug Peters (each layer requires a separate font that represents one color).
This is a clone of Starfield & Stripes Starfield *FSStars layer of multilayer font family Starfield & Stripes, Copyright 2014-2019 Doug Peters (each layer requires a separate font that represents one color).
This is a clone of Starfield & Stripes Starfield *FSStarfield layer of multilayer font family Starfield & Stripes, Copyright 2014-2019 Doug Peters (each layer requires a separate font that represents one color).
This is a clone of Starfield & Stripes Composite *FSBackground layer of multilayer font family Starfield & Stripes, Copyright 2014-2019 Doug Peters (each layer requires a separate font that represents one color).
This is a clone of Starfield & Stripes Composite *FSStripes Layer of Multilayer font family Starfield & Stripes Copyright 2014-2019 Doug Peters (each layer requires a separate font that represents one color).
This is a clone of Starfield & Stripes Composite *FSDerivative of Whichcraft. Both Whichcraft & TRE45ON are fonts created by and Copyright by Doug Peters (SymbioticDesign).
Copyright 2019 Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) of Symbiotic Design (https://www.SymbioticDesign.com).
Donations are super-appreciated. Credit for my original work IS also greatly appreciated.
I guess I would classify this one as: Experimental.
Type: Slab Serif Caps with Sans?
Weight: Heavy.
Web font: Yes.
Commercial use: Yes!
Derivatives: No.
Redistribution: No.
P.S.:
Font-Journal (Freeware fonts for designers):
https://www.Font-Journal.com
Hevy Duty Web Hosting (Genuine cloud web hosting solution):
https://HDWebHosting.com
Domain Name registration:
https://www.DomainHostmaster.com (Wild West Domain Registry)
https://www.Domainance.com (Directi's 'Public Domain Registry')
Fonts and graphics blog:
https://Worthful.com
PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner
Oh yeah, I design logos, websites, graphics, ads, marketing campaigns, PCs, and just about anything, really. -DP
This is a cloneCopyright 2019 Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) of Symbiotic Design (https://www.SymbioticDesign.com).
Experimental font, work in progress.
Donations are super-appreciated. Credit for my original work IS also greatly appreciated.
I guess I would classify this one as: Experimental, Casual, Display?
Weight: That's a good question.
Web font: Yes.
Commercial use: Yes!
Derivatives: No.
Redistribution: No.
P.S.:
Font-Journal (Freeware fonts for designers):
https://www.Font-Journal.com
Heavy Duty Web Hosting (Genuine cloud web hosting solution):
https://HDWebHosting.com
Domain Name registration:
https://www.DomainHostmaster.com (Wild West Domain Registry)
https://www.Domainance.com (Directi's 'Public Domain Registry')
Fonts and graphics blog:
https://Worthful.com
PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner
Oh yeah, I design logos, websites, graphics, ads, marketing campaigns, PCs, and just about anything, really. -DP
Rules of Aximen font design project:
1. All letter characters and numerals must incorporate a section of the staff (any part of it, the staff is fully represented by the I).
2. Norse Futhark usually used a vertical line at the top and bottom of each rune to show it's flow across a stone or woodworking, that would follow the contour of the media. This means that no character can share the base line, nor can it share a part of the top line (as it's complete design, if sharing a guideline, would effectively disappear, like an L with an underline at the baseline would look more like an I). These are immaginary lines in uppercase, but the same glyphs will be used in lowercase which will offer a lowline directly below and sharing the base line at the top edge, as well as a top line at maximum character height where the bottom edge will share the top line (top of character boundry).
3. Accented characters will show accents below the low line or above the top line and the appropriate top or bottom edge of these lines will act like character boundry. In the uppercase register, these accents must mirror the placement of the lowercase, even though the low/top lines are immaginary.
4. Extra points for incorporating more of the staff into the actual character design. The staff line itself (again, represented in the I) represents the line used between characters in some Futharc runes.
5. Alphanumeric characters should represent modern letters and numbers, but not look modern. But, they do not have to look like runes, either. Yet, they should still be readable, though not necessarily well adapted to speed reading scanning of normal letter shapes. No character need to comply with Summer Institute for Linguistics standards, guidelines or rules, and the characters that bend such rules the farthest are considered the best.
6. Each character should be taken indivually as if the only design problem. Individuality and uniqueness of each character is prized well above unity as a typeface. Diversity, even of style througho0ut the same character set, is encouraged and applauded.
Still mulling this one over.