ORIGAMISH v2
This version features both upper and lowercase characters plus some minor changes to it's appearance!
This is a clone of STF_ORIGAMISH v1FABRICON-CAST is another style variation within the FABRICON family.
This style was inspired by metal casting and apart from some minor varriations I made to the punctuations it's very similar to the other styles in this family. Except that unlike the other styles this one will not combine seemlessly with the rest.
This is a clone of STF_FABRICON_(OUTLINE)Modernism alphabet
This is a clone of STF_HETERODYNE_(SOLID)Style variation for the BOXCUTTER typeface!
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BOXCUTTER is a squarish and heavy-weight display typeface that is straight in your face. Beveled to make the fella slightly less agressive.
It's pixel optimized as well and it comes in uppercase and small uppercase characters only!
This is a clone of STF_BOXCUTTERBOXCUTTER is a squarish and heavy-weight display typeface that is straight in your face. Beveled to make the fella slightly less agressive.
It's pixel optimized as well and it comes in uppercase and small uppercase characters only!
STF_PRÆSENS - A geometric retro display sans
The source for this font was the lettering seen on the cover of 1930's second issue of "Præsens". A Polish avant-garde artistic magazine from the interwar period that was designed by the architect Szymon Syrkus. The letters on the magazine's title formed the baseline to extrapolate the complete font.
The magazine got published throughout the first part of the previous century and was similar to other magazines from that same era such as:
DeStijl, Wendingen & Het Overzicht.
Modernism alphabet
This is a clone of STF_HETERODYNE_(SOLID)A letter decorated with a tilting dot pattern.
It's inspired by lettering seen on a brochure for Dutch theatre group "Sater" which was designed by "Jurriaan Schrofer".
I couldn't get it much more accurate that this, neither do I think it was wise desicion to make the main design isometric. Since now I'm tied to this projection. I might do a straight aligned version in the future.
Anyway, I think it is still a cool looking type
This is a cloneSuggestions welcome!
See more:
https://www.fontstruct.com/fontstructions/show/1119387/eshie
https://www.fontstruct.com/fontstructions/show/366047/en_druna
https://www.fontstruct.com/fontstructions/show/1421851/mr-ken-2
https://fontstruct.com/fontstructions/show/109666/trk_softbunker
https://fontstruct.com/fontstructions/show/1166146/labrynth_2_0
https://fontstruct.com/fontstructions/show/137341/fs_entwined
https://fontstruct.com/fontstructions/show/67991/groo_1
https://fontstruct.com/fontstructions/show/644366/polymoda
https://fontstruct.com/fontstructions/show/210139/funkadelia
https://www.fontstruct.com/fontstructions/show/14121/dots_and_loops
https://www.fontstruct.com/fontstructions/show/181115/yaegerwerks_tubenet
This is a clone of MotakkuModernism alphabet
This is a clone of STF_HETERODYNE_(OUTLINED)A piece of constructivism inspired by Dutch artistic movement "De Stijl".
This is a clone of STF_FABRICON_(OUTLINE)A piece of constructivism inspired by Dutch artistic movement "De Stijl".
This is a clone of STF_FABRICON_(OUTLINE)Do you think Headliner is too chunky? You want to use Headliner for text? Lucky you, because Textliner is out! Textliner is the light weight of Headliner, and is much more legible! If you still want more legibility, I added some extra alternates!
EDIT: If you want a font REALLY based of the NSMB logos, check here.
https://fontstruct.com/fontstructions/show/1525766
Headliner is a geometric sans-serif with a slight nod to the New Super Mario Bros. logo fonts. It's overall design reflects posters. The Comic Sans effect (using a font in a place other where it's supposed to be used) has been eradicated as this font is multi-use.
I plan on making a light weight and extended version
Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
This is a clone of STF_JS-SANS SEVERE (MULTILINE)Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
This is a clone of STF_JS-SANS SEVERE (MULTILINE)Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
This is a clone of STF_JS-SANS SEVERE (MULTILINE)Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
Recap of the lettering seen on a old brochure by Wendingen for the "Internationale Theater Tentoonstelling Amsterdam 1922"
The brochure and letters were designed by:
"Hendricus Theodorus Wijdeveld" (4 october 1885 – 20 februari 1987).
As usual I completed the alphabet, but (since its mainly a display typeface) this time I used the punctuations to store some glyphs meant to be used for drawing ornamental decorations as seen on the original brochure design.
Proxima Punch with all curves changed to angles. A more engraved look.
This is a clone of Proxima PunchA style built on a tall ellipse. Bold line on the left, narrow line on the right. (The glyphs )]}¿¡ break this rule for the sake of aesthetics.)
See also: Proxima Punch Pixel