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'Sacred Textura', by Studio Sampersand, blends medieval Textura blackletter with contemporary design. Crafted with precision, it balances tradition and innovation. Its structured forms and intricate details convey strength and authority. The font follows a precise wide pen stroke-width that follows the hexagonal grid lines; creating a consistent neo-traditional textura font design.
ETC Vieux Canard is whimsical, geometric sans-serif font based on V. Sarela's "Res Cogitans" and Christian Munk's "Insular Typewriter".
Some letters are oddly kerned, but that is due to FontStruct's +/- 10 unit limit on kerning.
ETC Tessera V1.0 - A Minimalist 2x2-ish Display Typeface
ETC Tessera is a display typeface where each character is designed to fit within a 2x2 space, with the exception of diacritics and some descenders
V1.0
- Basic Latin Completed
- Most of Latin Extended-A and some of Latin Extended-B
With the given theme of Protection, I looked into the human immune system and the biological human features. Researching further into antibodies, I created a type face of the antibody structure which resembles the shape of a capital Y. Following symmetrical shapes and doubled lines, I created an alphabet that mimics the original structure of antibodies, with similar joints and angles.
This should have been a minimum font, but minimum can't do color.
The idea was to simulate transparency. After trying out multiple color hatch patterns, it was apparent that it is not going to work. The earlier attempts are left in the font for you to judge yourself their efficacy.
The file is pretty heavy because of having so many anchor points (times 8 layers). Scrolling will be slow. Because the next letter overlapping the previous hides part of the black outline, just outline glyphs are there to stack two layers (colored below, outline above) to get the correct effect.
Is there some trick to make the downloaded font to work in color? The version I downloaded comes as *-svg.ttf. Aren't the color svg fonts in .otf format? Thus, no sample.
dice based cypher made from 2d6 sets for each letter~
the key is attached as the sample; the letters shown there correspond to the letters typed out in lowercase as default. As upper case the colors of the dice are flipped but the order of the numbers is the same for each letter.
This font is not an aubergine (100%)
Please do not place suspicion that this is an aubergine, because it is not...
I ensure you, it is not an imposter font and definitely not an aubergine.
To the mods of this place (I don't know if you exist) - I am 100% certain this is not an aubergine. I am a noble and thrustful man, so you can trust me that this is NOT an aubergine.
Disclaimer:
Please refrain from commenting that this is an aubergine because;
THIS FONT IS NOT AN AUBERGINE.
Thank you in advance for not doing it!
'Rebirth' is a display font designed for use in a large scale, for example as a title on a poster. The font was designed in response to a first term university brief and responded to the word 'rebirth'. The font centres around the idea of growth which led to the geometric elements as a connection to the symbol of an arrow, which I personally associated with growth.
Working under the theme of 'Rebirth', I have focused my first font on the idea of post-war architecture, or otherwise commonly known as modernist/brutalist architecture. Buildings constructed following the Second World War were built using new technologies of construction. These types of designs were known for their use of modern materials such as concrete and steel as well as their interesting geometrical forms. I was heavily influenced by the architecture featured in Owen Hopkins' book 'Lost Futures' which looks at the disappearing architecture of post-war Britain and how changing external contexts played a role in the subsequent destruction of these buildings.