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Irix was inspired by a font I lost track of, so I wound-up doing something else.
Copyright Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) 2019. This quirky, wacky font is released as CC0 Freeware. Donations are super appreciated (but not required to use this font). Credit for my original work IS also greatly appreciated.
Style: Rounded.
Classified: Condensed.
Type: Sans-Serif.
Weight: Bold.
Web font: Yes.
Commercial use: Yes!
Derivatives: Yes.
Redistribution: You betcha.
P.S.:
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https://paypal.me/sitedesigner
I went and mangled Spelunker by Zephram. I am messing with the shapes of the spaces between the letters. The name of the font indicates that most of the letters are wearing bell bottoms.
This is a clone of SpelunkerExperimental brush/pen thing. Has a slightly spooky look. Because of their tapering curves, many glyphs can render with a "split" or "stencil" look about them. This is due to software-imposed limitations on vector rendering. Designs which share this property can be considered Pseudostencils.
This design is not informed or inspired by any existing typographical traditions. I set out to make the "claw" bricks (as I call them) into a font and this is the result.
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I wondered what a plain version of Candylander would look like, so I made this. :D
I think a fully half-arc version could look even more stylish than this! Hope to find time to create one soon. (EDIT: Done, see Migrator)
This is a clone of CandylanderVersion 1.6
An attempt to make a "classroom" font. It reminds me of a font style which was once commonly used on magnetic letters.
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See also: Hydrangea Unicase
A half-sized, filterless version of Comicool Unicase which also has square terminals.
This has lowercase, but is made for all-caps comic book style lettering, so consider the lowercase as something added for accessibility's sake...
An experiment which attempts to harmonize soft curves and straight lines while eschewing angles. The result is this "inkflow" design. What is the opposite of an inktrap? I don't know, so I'm calling it inkflow.
This could also be viewed as a hybridization of neon-style lettering and normal sans serif... it is not quite made to be either one, but could act as a decent companion font to them. Most neon fonts need a larger size and are thus more suited to headers, while this design is well suited to body text.
This could also ALSO be considered a Hybrid because it works as both a pixel font and a high-res one.
Another of my many doodles. Fun to make!
Finally, a design where all the diacritics blend in and look natural!
Another rounded sans-serif. Gives me a slight "noir" feeling.
The shapes and spacings were fine-tuned to look good at every legible size, with every letter having a constant width (except "I") and standing distinct from its neighbors.
Though it was made from scratch without references, this one combines shapes and filter techniques similar to those of "AB Neurosis" and "Gamma Strike".
"X" makes four undesired bends, "V" is too sharp for my liking, and "Y" is a bit too short. But I have tinkered with composite pieces trying to fix them for hours now. Maybe someone else has the patience to continue on...