Published: 23rd March, 2013
Last edited: 23rd March, 2013
Created: 13th March, 2013
Clone of Apostle XIII. Fixed A, Q, T, and H. :-)
'E' and 'Z' still needs work. :-/This is a clone of Apostle XIII
Published: 2nd December, 2012
Last edited: 3rd December, 2012
Created: 30th November, 2012
My personal handwriting when i use Felt tip calligraphy pens (the cheap ones) as my daily writing pen, These are the most common letters I write with, there are many other variants, but the forms i chose worked best on Fontstruct. There are Numbers (and maybe other language writing systems like Cyrillic, Katakana, Hiragana.
Published: 30th October, 2012
Last edited: 3rd December, 2012
Created: 8th October, 2012
1st year Graphic Design student at UWE Bristol. 1st FontStruct, this is behind a three dimensional work, ornate was my chosen theme, cursive handwriting was a main focus. A progressive piece, which is tied into to the name "inifinate" due to study into Graphology.
Published: 15th October, 2012
Last edited: 6th November, 2012
Created: 30th September, 2012
This is a calligraphic style font dedicated to Oscar Wilde. As this is my first font designed on fontstruct, I'd like any feedback from more experienced designers.
Published: 14th October, 2012
Last edited: 18th July, 2014
Created: 25th September, 2012
This Script is influenced by the art-style of Tibetan. Although as soon as i formed a few basic shapes and themes for a few characters, it quickly took on a shape for itself. This is still a Syllabary used to write my Conlang, Iltantu. It works exactly the same as my more recognizable Latinesque Syllabary "Iltantu-Romu". The characters are mapped in the same exact spots, and one script can be substituted for the next. It's merely a stylistic difference (as Times New Roman is to Blackletter, for instance)This is a clone of Iltantu-Romu
Published: 6th August, 2012
Last edited: 6th August, 2012
Created: 5th August, 2012
Inspired by a style of handwriting I use on drawings (I find it goes especially well with fantasy and creepy things). All lowercase, no numbers, and only punctuation that's commonly used in conversational English. Might consider adding numbers or more punctuation later.
Published: 5th January, 2012
Last edited: 9th January, 2012
Created: 5th January, 2012
Using just a 4x3 grid for most CAPS means the curves you see are curves. Slight calligraphy feel to wedges and curves on many letters. A black weight font with short descenders enable it to work with little leading, if necessary. Regimented but with curves and wedges!
Published: 22nd July, 2011
Last edited: 22nd July, 2011
Created: 21st July, 2011
A condensed "blackletterish" exercise. Oldstyle with modern FontStructed conformity. Works for short words in big sizes. HEAVILY inspired by the calligraphic fontworks of Bulgarian designers J Jelew and S Simow. One could say it´s more or less a FontStruct adaptation of their fine "Grant Deco", I have no problem with that. I wanted to see the "Grant" glyphs a little less "tall and hansome". ("Estoc" is an old type of long sword, similar to rapier or foil.)
Published: 19th March, 2011
Last edited: 23rd March, 2011
Created: 14th March, 2011
My first Font. Please tell me if it's any good since I haven't done any serious Field-testing yet. There might be some problems with certain letters.
Published: 4th March, 2011
Last edited: 6th March, 2011
Created: 1st March, 2011
Oh great, making fonts on my birthday. But whats better than that!?
If you have any comments, PLEASE leave them and BE HARSH!
Published: 26th February, 2011
Last edited: 6th March, 2011
Created: 25th February, 2011
That's "ligatures" backward. It is titled this because all of the capital letters are ligatures.
I made up the design of most of the letters, but some of them are classical calligraphic style. Enjoy my all-lc pixellised blackletter font!
Published: 26th January, 2011
Last edited: 28th January, 2011
Created: 26th January, 2011
I like this font, but not the "T" (T for tree, right?)
I tried to make lots of characters, but I figured I wont get more then one download (myself) so I decided I dont need all of those greek letters. :P
Published: 5th November, 2010
Last edited: 6th November, 2010
Created: 4th November, 2010
This is my first FontStruction while currently studying graphic design at Bristol UWE.
Lots of experimentation solely using paints; quick hand movements and flicks to produce a messy, unrefined effect. Working in less than 1 second for each letter (with real paints), used as reference. Inspired by East Asian calligraphy.
Published: 21st October, 2010
Last edited: 21st October, 2010
Created: 18th October, 2010
This was inspired by Upixel's Mobivus. It began with the n and strangely evolved into a calligraphy-esque style font. Many alternate glyphs are accessible under the Hangul glyphspace, including:
> storey-changed a, g
> tailed f
> full overhang a, t
> alternate connections on e, k, x
> alternate S, Y
> descender-less G, J, Q, Y (two variations)
> barred Z, z, 7
> alternate connection with ink traps a, b, d, g, h, k, m, n, p, q, r, u, w, y, 6, 9
> alternate alternate a, g, second a, m, w
In addition there is a character with negative spacing for ligatures with f (e.g. fi, ff, fl, fb, ft, fk). This is located at the glyph ㄹ.
Published: 9th October, 2010
Last edited: 13th October, 2010
Created: 7th October, 2010
A TRUE HAND WRITTEN font.
No two letters are the same, or use any of the same brick configurations.
From my very own hand using an Edding 5.0 Calligraphy pen.
Only the upper case is available for now. Due to a heavy work load this week, and several non-starter comp entries, I've unfortunately been unable to fully complete the lowercase and numerals. :-(
Hope you like it.
All comment and crits appreciated.
Published: 5th July, 2010
Last edited: 5th July, 2010
Created: 24th June, 2010
Little experiment of mine, trying to design a script font that really connects all the letters. As you might guess from the quality of the uppercase, I started with lowercase and had quite some trouble finishing the uppercase... And I know there are (obviously) always the connection strokes peaking out at the end any word, but funnily this imperfect look has started to grow on me during the fontstructing.
I also know there are still lots and lots of inconsistencies and letters that badly need a rework, but I thought the constructive criticism of my fellow fonstructors might be more helpful and efficient at improving this... So I'm grateful for any suggestions!:)
Oh, and yes: The kerning is very painful at times, but I can't see how I can improve that under the constraints of the script and the character forms. And obviously the script thing doesn't work with uppercase only text.
Published: 9th March, 2010
Last edited: 9th March, 2010
Created: 7th March, 2010
Inspired by the pointed arches, ribbed vaults, and the flying buttresses found in Gothic architecture and the calligraphic Gothic Hand, a young and undaunted designer set forth to minimize counter space and emphasize vertical height with only a few bricks. The result was a modular blackletter font with crossbars, serifs and finials embodying a sense of sideways movement. May the design gods have mercy on her soul.This is a clone
Published: 25th December, 2009
Last edited: 13th January, 2010
Created: 12th December, 2009
Merry Christmas. Happy Holidays to all fontstructors worldwide and the Fontstruct staff!
and Snowflakes to all.
This is a clone
Published: 2nd September, 2009
Last edited: 2nd September, 2009
Created: 23rd August, 2009
This is a "gothic" alphabet. It took a few days to complete. I didn't make a @ sign so you can just do this: (a). It is the equivalent to @. For the Copyright sign you can do the same (c). So there you go. Please comment and tell me what you think.