A letter decorated with a tilting dot pattern.
It's inspired by lettering seen on a brochure for Dutch theatre group "Sater" which was designed by "Jurriaan Schrofer".
I couldn't get it much more accurate that this, neither do I think it was wise desicion to make the main design isometric. Since now I'm tied to this projection. I might do a straight aligned version in the future.
Anyway, I think it is still a cool looking type
This is a cloneClone of Dot24Pin Sans Outline.
Still dreaming of 24-pin printers...
This original 24×15 typeface is designed around the limitations presented by the near letter quality (NLQ) output of dot matrix printers (DMPs) during the '80s & '90s. Partially inspired by J. David Sapir's DOS font design program, LQMATRIX, it could have easily been created using that program back in the day.
(The "smart phone"-looking character in the À position is simply a placeholder, used as a quick reference to set vertical height lines while FontStructing.)
This is a clone of Dot24Pin Sans OutlineBased on the lettering used on the London Underground Northern Line 1995 Stock Passenger Information System.
Still dreaming of 24-pin printers...
This original 24×15 typeface is designed around the limitations presented by the near letter quality (NLQ) output of dot matrix printers (DMPs) during the '80s & '90s. Partially inspired by J. David Sapir's DOS font design program, LQMATRIX, it could have easily been created using that program back in the day.
(The "smart phone"-looking character in the À position is simply a placeholder, used as a quick reference to set vertical height lines while FontStructing.)
A dotty serif!
I love the technique of dotting, it gives me lots of oppertunites for curves, as you can see in the font.
The lowercase are alternates to the uppercase!
Thanks to all the fontstructers who give me determination and inspiration, such as frongile, riccard0, and elmonique!
Alternate version of connect the bots, reminiscent of dot matrix printers back in the day...
---connect the bots---
Inspired by electronic circuitry, combined with a retro flavour in the structure of the letterforms, this display font is well suited to any computer / electronics or technology related application.
The word ‘systematic’ was taken as a starting point for development, and led me to draw upon a personal interest in the inner workings of electronics. The ordered chaos of all the connections running hither and thither is extraordinarily beautiful.
This is a clone of connect the botsELEKTRON AR-LCD 3_6×6 - Re-creation of the 6×6 dot matrix font that is used in the "Winstar WG12232A" 122×32 graphic LCD display module on the "Analog Rytm" drum machine by Elektron
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I used filters to mimic the original module's dot size and dot pitch:
Horizontal brick size:0,89
Vertical brick size:0,91
Horizontal grid scale:0,8
Vertical grid scale: 0,94
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This is just one of the fonts that is used in the "Analog Rytm", there is number of different font size and designs used throughout the device's OS. Used together to create clear hierarchy and structure in the individual components.
The other fonts:
ELEKTRON AR-LCD 1_6×6
ELEKTRON AR-LCD 2_5×8
Enjoy
This is a clone of STF_ELEKTRON AR-LCD 1_6×6This is a rendition of one of A. V. Hershey's dot fonts from his 1967 paper "Calligraphy for Computers", the "Mathematical" (serif) font. This version is really a hybrid of the original "Mathematical" and "Cartography" fonts, having some symbols such as the circle drawing and map symbols that the "Mathematical" font originally lacked.
This is a clone of Hershey Dot Cartographic