500994
Published: 23rd December, 2009
Last edited: 24th December, 2009
Created: 23rd December, 2009
A pixel for pixel copy of System 8x12 point, as a ttf font. Identical in 12pt font.This is a clone
1009125826092
Published: 25th November, 2009
Last edited: 23rd April, 2015
Created: 17th October, 2009
A monospaced pixel font with over 8000 glyphs! 7 pixels wide, 12 pixels tall. Some characters may be wider than 7 pixels to make them connect with other characters.
1501523
Published: 3rd November, 2009
Last edited: 28th November, 2009
Created: 30th October, 2009
The bold extended weight of Haemophobe.This is a clone of Haemophobe
3251628
Published: 30th October, 2009
Last edited: 2nd October, 2009
Created: 2nd October, 2009
For a full description see Sans Serious IThis is a clone of Sans Serious III
59476218
Published: 28th October, 2009
Last edited: 27th October, 2009
Created: 27th October, 2009
For a full description see Sans Serious IThis is a clone of Sans Serious I
65776221
Published: 26th October, 2009
Last edited: 4th November, 2009
Created: 1st October, 2009
For a full description see Sans Serious IThis is a clone
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
145631
Published: 15th October, 2009
Last edited: 15th October, 2009
Created: 15th October, 2009
An experiment to create a font that uses 12 segments. Many letters look ugly. This was partly because of my attempt to have no similar letters. The X was not made to look like anything but being as close to an X as possible.
82981
Published: 13th October, 2009
Last edited: 13th October, 2009
Created: 12th October, 2009
I noticed that typewriter fonts had lines that went backwards and stretched in them, so I took it to a new level in this experimental font.
2304962
Published: 9th October, 2009
Last edited: 3rd May, 2010
Created: 8th October, 2009
Pixel font that forms part of a bigger pixel font project (both literally and metaphorically speaking: you'll see). ~ ~ ~ ~ ~ This font will be experimenting heavy changes in the future, mostly in more characters, I already marked what Unicode groups I'll be covering with this font by doing the first 2 glyphs in them. I also made the Ttha glyph just for this: ఠ_ఠ ~ ~ ~ ~ ~ The name comes from mixing "Pixel" and "Caslon", even though I didn't even take Caslon as a reference. I just thought the word game was cool enough.
201442
Published: 8th October, 2009
Last edited: 28th January, 2011
Created: 8th October, 2009
A simplified and more abstact version version of Flag Semaphore.
The peace symbol (@) is the combination of N and D (ie. Neuclear Disarm).
# is the number/digit sign to put before letters A, B, C, D, E, F, G, H, I and K to make 1, 2, 3, 4, 5, 6, 7, 8, 9 and 0 respectively. That is already done in the numerals 0-9.
* is the attention sign (waving arms up and down together)
space is the rest position.
/ and \ both are the cancel sign.This is a clone of Flag Semaphore
14175536
Published: 6th October, 2009
Last edited: 21st September, 2010
Created: 29th August, 2009
It's fun to work with negative spaces for a change.
The 'i' is as wide as 'm' & 'w'.
1201600
Published: 5th October, 2009
Last edited: 6th October, 2009
Created: 5th October, 2009
because there just aren't enough 5x5 monospace pixel fonts in the world.
best at multiples of 6pt
1702123
Published: 11th September, 2009
Last edited: 11th September, 2009
Created: 27th August, 2009
For use on signage in futuristic hospitals. The design lends itself to phaser-routing. The dingbats in the Extended Latin-A set are four arrows, followed by male and female washroom symbols, a handicapped symbol, and a cafeteria symbol (coffee cup).
57816114
Published: 8th September, 2009
Last edited: 11th September, 2009
Created: 8th September, 2009
Foostruct v1.1
A monospaced pixel-font for programmers.
This font was originally created in only one day and is still in progress. I’m very open to suggestions and improvements.
8401134
Published: 7th September, 2009
Last edited: 7th September, 2009
Created: 6th September, 2009
Based on the output from the Mullard SAA5050 teletext character generator as used in the venerable BBC Microcomputer's "MODE 7". Smoothed out even more by hand: not as authentic as Mallard Blocky, but maybe a little more usableThis is a clone of Mallard Blocky
5601130
Published: 6th September, 2009
Last edited: 7th September, 2009
Created: 6th September, 2009
Based on the output from the Mullard SAA5050 teletext character generator as used in the venerable BBC Microcomputer's "MODE 7". Taken from the original SAA5050 data sheetsThis is a clone of Mallard Blocky
10101132
Published: 6th September, 2009
Last edited: 7th September, 2009
Created: 6th September, 2009
Based on the output from the Mullard SAA5050 teletext character generator as used in the venerable BBC Microcomputer's "MODE 7". I've tried to keep this version fairly true to the original.
"Blockier" uses the definitions from the data sheet with each pixel doubled up.
"Blocky" uses the definitions from the data sheet along with the extra pixels the chip adds in.
"Smooth" and "Smoother" use non-square bricks to make the shape less pixellated while still keeping the overall shape.
"Tiny" is the same as "Blockier", but with one data sheet pixel to one font part, giving a smaller pixel font.
50982
Published: 2nd September, 2009
Last edited: 2nd September, 2009
Created: 31st August, 2009
"A Great 9 point programming font loosely based on a computer display.
This font is monospace"
was what I thought this font was when I made it. Well, live and learn.
21482714
Published: 16th July, 2009
Last edited: 16th July, 2009
Created: 15th July, 2009
Please see the samples in the comments.
Using a new technique that combines 1.8 scaling and diagonals.
120390
Published: 4th July, 2009
Last edited: 4th July, 2009
Created: 4th July, 2009
This pixelfont is based on the newly released source code for MsPac-Man for the Atari 7200. The glyphs were converted by hand from the HEX values in MSCHAR.S to a reasonable layout. Only uppercase and digits were provided. It is a work in progress.
160990
Published: 3rd July, 2009
Last edited: 3rd July, 2009
Created: 3rd July, 2009
Courtney is a 4x8 monospace pixelfont. It is based on a bitmap font created by Courtney Cavin for one of his application projects. Each character of the original font is stored in a single longword (8 bytes). Uppercase and Lowercase letters are identical.
40740
Published: 7th June, 2009
Last edited: 16th June, 2011
Created: 30th May, 2009
My first FontStruct. Not very original, but I do kinda like the lowercase ("m" needs some work)
This is a work in progress, please comment on ways that I can make it better.
99117614
Published: 29th May, 2009
Last edited: 27th June, 2009
Created: 26th May, 2009
...and if 'vague' does not mean 'wave' in French, blame Google Translate.