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BACK TO THE FRAKTUR - Modular geometric calligraphic blackletter
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Calligraphy inspired design, that even though it's name can be deceptive, suggesting one in thinking it is a Fraktur derivative. Which is actually quite not the case, and as far as being a calligraphic Blackletter inspired work, the similarities between the two stop.
This is a heavily simplified and geometric take on the calligraphic style, with much more modernized letterforms as well.
It remains a WIP, but I'd love to hear what u think so far.
Cheers
STF_METROPLEX - A discrete non-cursive gothic printscript.
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Its a 'block letter' script. aimed to resemble handwriting that was somewhat rushed and therefor slightly sloppy looking.
The inspiration for this loosely evolved around the idea of a simple handwriting style with medium tip marker pen, a writing style most commonly used and seen in simple everyday application, such as quick notes, bulletin board writing, block format business style as well as in study notes.
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The font combines a bit of two styles into one, with the capital letters done in a 70's Streamline Art-Deco style with at their core a distinct clear geometric backbone. When this is used in "all caps" it could provide for a solid looking headliner. For the lowercase I designed this playful and very dynamic script style that looks very much like a handwritten printscript.
The capital letters are designed with a minutely reduced cap-height relative to the point size. This allows the upper-case set coincide better with the dynamic variations and overshoots on the x-height in the lower-case set when type is set a mixed-case format.
Only partial kerning applied (sorry), but this was a horrible pain in the .... to get somewhat spaced decent enough!
Cheers
This is a cloneHi, if you liked to use my work, here is just my reminder,virama is placed so that Ba becomes BI for example in the letter z, so that Ba becomes Bo in the letter X and the vowel killer in the letter C. the letter Q is Pamudpod, in J and Ñ the letter Nga
Qoniqt is a pixel script ainjoo typeface designed by Zach Streemke in 2021. It is an italic design as a "distinguishing" text. In 2021, it was designed by Igino Marini to make "New Coptic" letters. In 2021, it was properly FontStructed by Avalro Iltaolic to make "New ligatures and Cyrillic" latin letters. e had a curved bar with no straight segment, a was at the wrong position, It kept small sizes as well. In 2021 by Arvilo Marvona, It added "Cyrillic Ghe With Upturn".
This is my first fontstruction, created whilst studying graphic design at UWE Bristol. I experimented using script brushes and calligraphy on Procreate and also tried to incorporate some of my own handwriting to make it more personal. The font is blocky and cursive to represent how people see hope and good in the bad. Our paths in life are never smooth sailing.
A script designed for the conlang of 'Ȑiþȑa̷în'.
The language of Ȑiþȑa̷înwas created at Farnad by a joint effort of Harlastes and Rakiana specifically for the use of the new ‘nation’ taking form from surviving Hyntellar, Aignar and Oumda peoples, who were later collectively known as the Ȑa̷inðâl (Ȑiþȑa̷în: ‘the agency of the world’). As a language, it was designed principally for morphemic elegance and semantic density while using the aesthetic phonemic preferences of its creators and intended speakers, perhaps inspired by the logico-mathematical concept of ‘elegance’ taught at Cynkyallat (Khalaris), Tain and Icoras. As a result, the range of consonants and vowels is relatively small, while also being highly inflected; making extensive use of suprafixes – where the first vowel-sound of a word is modified to change its grammatical function – and limited use of more standard suffix-inflection. In particular, the semantic density of Ȑiþȑa̷în made it ideal for transcription onto valuable or rare writing media as well as possessing a high level of concision in spoken form. Its most celebrated features were used in philosophy, where widespread suprafixing meant that singular concepts tended to retain their essential form regardless of grammatical function and in debate where complex ideas could be put over remarkably quickly. However, its suprafixional grammar also required excellent diction and enunciation from its speakers, precipitating a rather unique oral culture.
‘Ȑiþȑa̷în’is a compound word from the phrase ȑīþ ȑa̷în, which literally means ‘the speech of agency’ or ‘agency’s speech’ – relating to the important concept of ‘civilisation’ or ‘the agency of a people’ in the culture of Farnad. Ithas five cases, five persons, five tense-aspects, and two numbers in its inflectional system, while gender and, when necessary, mood, are conveyed lexically and through word order.
This is a cloneKey on keyboard => Resulting letter:
Ss => Ââ Ee => Ŵŵ Uu => Ŷŷ Kk => Ẃẃ,Ýý Ll => Ẅẅ,Ÿÿ
\ => thousands place marker | => affix separator
` => 00 ~ => 000
Left/right => Lowercase/uppercase variant:
,/< => end of sentence ./> => end of section ;/: => sentence pause
[/{ => left parenthesis ]/} => right parenthesis
-/_ => left quotation mark =/+ => right quotation mark
//? => question mark '/" => exclamation mark
https://www.omniglot.com/conscripts/demano.htm
This is a clone