601012
Published: 25th April, 2024
Last edited: 31st January, 2012
Created: 29th January, 2012
Part of my studies. Hochschule der Bildenden Künste Braunschweig / Braunschweig University of ArtThis is a clone of Vertikale Egyptienne
670575
Published: 20th May, 2008
Last edited: 24th May, 2008
Created: 20th May, 2008
A basic octagonal font with underline and overline. Use | if you want to add extra lines to close a paragraph.This is a clone of Elevator
6211564
Published: 2nd August, 2008
Last edited: 17th March, 2014
Created: 2nd August, 2008
inspired by a sticker of an english band called lost prophets...
180392
Published: 17th May, 2010
Last edited: 17th May, 2010
Created: 16th May, 2010
just an experiment with greyscaledness. looks best at pxl view, but looks okay at up to 2x pxl (on windows, I'd recommend 24, 32, or 48)
3623110
Published: 25th October, 2011
Last edited: 23rd November, 2011
Created: 23rd October, 2011
As part of a project for my graphic design course at UWE, our brief was to create a typeface based on a theme. I chose vibration as my theme as I explored my theme I was drawn to line graphs which help record the frequency of sounds. I wanted my typeface to resemble this like it was on an ECG monitor. I also looked at John Skelton’s pinpression typeface which truly inspired my font, having continuous lines connecting all of the characters was very important and finding his work showed me that it was possible. This is my first attempt at creating a typeface and there are still alterations that need to be done.
251315
Published: 1st November, 2011
Last edited: 9th November, 2011
Created: 30th September, 2011
This font was inspired by the wrought iron work I have noticed when exploring Bristol. The idea developed further when I saw some Greek decoration while researching on the internet. The two came together, the meeting of curves, lines and spirals to form Keys, a modern take on ancient symbolism mixed with a reminder of industrial exuberance.
2001001
Published: 29th January, 2012
Last edited: 14th December, 2012
Created: 28th January, 2012
Part of my studies. Hochschule der Bildenden Künste Braunschweig / Braunschweig University of ArtThis is a clone
238372
Published: 29th October, 2012
Last edited: 5th November, 2012
Created: 19th October, 2012
As part of my "Found Type" project at UWE, we had to design a font for a theme that we chose. I chose Ornate. I was particularly drawn to this theme due to its relations with Biblical manuscripts and the architecture within Churches. I ended up combining the manuscript like lettering with features of Churches. I realised that this combination creates a great contrast between thick and thin, straight and curves. I found it difficult to create curves on font struct, but I rose to the challenge and created this. I hope you enjoy!
323315
Published: 29th October, 2012
Last edited: 29th October, 2012
Created: 23rd October, 2012
a typeface centred around the key theme/word 'shadow'. I started looking at how the time of day effected the shape and the size of the subsequent shadow cast. However, I then moved onto the ideas of bevels and a more subtle shadow effect created by raised centres of the letterforms. The 'impossible triangle' effect came from a idea that was brought up in a critique about 'extending it and making it really elaborate'. The name is chosen because I think that typefaces should have friendly names.
64980
Published: 25th February, 2013
Last edited: 8th April, 2013
Created: 11th February, 2013
My very first fonstruction done for my DES110 Typography class. It was a great experiment to think of the placement of letters and how to make a visually attractive font.
40382
Published: 20th April, 2013
Last edited: 23rd April, 2013
Created: 10th April, 2013
My Final 'Sharp' Fontstruct that I created for my University project in Graphic Design.
I thought for a long time what to do with the font and decided to try make it quite clean but different at the same time. My main focus on this Font was to make sure it was clean enough to read without any difficulties. That i think i've achieved.
185995
Published: 29th May, 2013
Last edited: 31st May, 2013
Created: 24th April, 2013
My first fontstruction, inspired by Indonesian Culture. It's the Oekir Djepara (read: Oo-Keer Jew-Para (as in Parachute)). Oekir Djepara is known as the best Javanese Carving. It's curvy stroke based on nature's shapes like tree, flowers and leafs. It's for our Typography assignment from Petra Christian University, Indonesia. Please give me critics for my first whole-set basic latin fontstruction. And if you don't mind, vote for my rating. Thanks.
PS: you might want to take a look at Oekir Djepara, just google it "Ukir Jepara".
2672078
Published: 28th August, 2013
Last edited: 8th September, 2013
Created: 27th August, 2013
This font looks like it is being made, it looks more like a stencil font when seen first.
It belongs to the "WISH" family and can be used with the other WISH fonts.
Added are ligatures FF FI FL and ST and an alternative "@" on the small latin ligature FFI.
WISH/OPEN is a clone of WISH/WAITING.This is a clone
1432063
Published: 2nd September, 2013
Last edited: 8th September, 2013
Created: 31st August, 2013
This version looks like somewhere between the Fulfilled and Waiting variants, hence the word FUTURE ;) As all fonts of the WISH group this one has the same letter and space dimensions as the clone parent, an can be used within any of the other fonts of the group. Clone of Wish/Fulfilled.This is a clone
1232062
Published: 6th September, 2013
Last edited: 6th September, 2013
Created: 5th September, 2013
Wish/Lace is part of the WISH group of font and can be used with all other WISH fonts. Its more decorative look might be good used as a majuscle or as the capital letter within text that needs 'lightening-brightening up'. Clone of Wish/Fulfilled.This is a clone
1532071
Published: 8th September, 2013
Last edited: 8th September, 2013
Created: 31st August, 2013
Wish upon a star, a font for star gazers and each one of us every-day-FontStruct-stars ... as usual for the WISH group every font can be integrated into the others as it has the same letter and space dimensions. Clone of Wish/Fulfilled.This is a clone
1212062
Published: 9th September, 2013
Last edited: 9th September, 2013
Created: 9th September, 2013
This was done for fun. But maybe someone finds it quirky enough to use (as majuscles, caps letters, decorative elements, or to replace occasionally a letter to add a surprise element into text). As it belongs to the WISH group it will match the other fonts. Clone of Wish/Fulfilled.This is a clone
312061
Published: 20th September, 2013
Last edited: 2nd October, 2015
Created: 9th September, 2013
This version looks as if it was made by layering pieces of ribbon to create letters. On the UC the top level is on the vertical, for the LC they are on the lower levels and less smoothed along the diagonals. This font can be used with all other versions of the WISH group.This is a clone
222263
Published: 29th October, 2013
Last edited: 23rd November, 2013
Created: 22nd October, 2013
I created this type face on the theme 'Sharp' - I started by looking at sharp shapes and the obvious one was a triangle. This lead me to the Star of David and I looked at Daniel Libeskind's designs for the Jewish Museum in Berlin. I experimented with which letters fit into the religious symbol and it turned out that they all did! So here it is... The Star of Harriet!
Improvements welcomed!
280277
Published: 1st November, 2013
Last edited: 23rd November, 2013
Created: 29th October, 2013
I created this type face on the theme 'Sharp' - I started by looking at sharp shapes and the obvious one was a triangle. This lead me to the Star of David and I looked at Daniel Libeskind's designs for the Jewish Museum in Berlin. I experimented with which letters fit into the religious symbol and it turned out that they all did! I decided after making the line version that it needed more to it so added a 3d effect! So here it is... The Star of Harriet 3D!
Improvements welcomed!
2542710
Published: 1st November, 2013
Last edited: 23rd November, 2013
Created: 29th October, 2013
I created this type face on the theme 'Sharp' - I started by looking at sharp shapes and the obvious one was a triangle. This lead me to the Star of David and I looked at Daniel Libeskind's designs for the Jewish Museum in Berlin. I experimented with which letters fit into the religious symbol and it turned out that they all did! After making a 3D version of the font I decided to fill it with black to give more of a contrast and make it more legible! So here it is... The Star of Harriet 3D Black!
Improvements welcomed!This is a clone of White Star
5511683
Published: 4th November, 2013
Last edited: 3rd December, 2013
Created: 1st November, 2013
A punk in a suit: the initial inspiration for this font came from the theme 'loud'. My thought process was that actions speak louder than words, and the Punk movement in the ‘70s helped people through a lot of social and economic unrest; punk communicates effectively. Consequently, I approached creating a typeface with the DIY mentality of punk. I observed the approach of Jamie Reid, the zine culture and various band posters to identify with the distinctive cut and paste style. I then considered how this could be used to communicate with more than one audience at once while retaining the punk aesthetic. This led me to create a typeface which is conflicted between serif and sans-serif; it features jerky counters contrasting with chipped bowls; it’s a font designed to appear cut up and pasted back together in line with the traditional ethics of DIY punk. "Fonts are the clothes that words wear" - Tobias Frere-JonesThis is a clone
72923
Published: 2nd December, 2013
Last edited: 6th December, 2013
Created: 2nd December, 2013
This clone of brasic has LC and a few punctuation marks. This is a clone of Brasic
127592
Published: 27th December, 2013
Last edited: 29th December, 2013
Created: 27th December, 2013
I was looking for a 'university' type of font but soon decided to build my own, adding some novel solutions to glyphs that were too predictable in my original design.
It is based on box shapes and made for filling/colouring, or indeed when printed at very large size it is great for cutting out and using like a 'picture frame'.
A fun activity for kids, and it could help letter recognition skills, too (the Q might be difficult for that exercise, but it is one of those glyphs I wanted to look less familiar).
30780
Published: 30th October, 2014
Last edited: 30th October, 2014
Created: 30th October, 2014
A development of quick sketches during a university modular type workshop.
123451
Published: 2nd December, 2014
Last edited: 2nd December, 2014
Created: 2nd December, 2014
Inspired by the University/Varsity type faces I thought it might be useful to have a related font with a few added serifs.
110300
Published: 26th October, 2015
Last edited: 7th December, 2015
Created: 20th October, 2015
This font is the showing the fluidity of ink descending in water, having no container but taking gravity into consideration. Shapes are not predictable and form characteristic paths, where the letters are revealed within the negative space. Designed to be confusing to the eye this ‘trippy drippy’ font holds a sense of ambiguity which can be looked at from different perspectives, giving it a range of liquid based designs from juice packaging to water parks.