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The theme of this font is thunderous. Thunder is the sound that lightning makes; therefore, thunder does not happen without lightning. I combined these two together, focusing on ideas such as sounds waves, sharp/smooth lines, size of my letters (big and small), and fleetingness as thunder comes and goes. I want it to have a lot of variety as you never know what to expect from thunder.
Richter is a font inspired by the idea of instability. I initially looked at the idea of falling; the aftermath of an earthquake. However, the current design looks not at the aftermath of an earthquake, but at the aftermath of falling. The design is heavily inspired by breaking, smashing and the general consequences of an unstable object splitting apart.
See more:
https://fontstruct.com/fontstructions/show/326648/bram_3
https://fontstruct.com/fontstructions/show/678615/scars_1
https://fontstruct.com/fontstructions/show/758660/portafina
https://fontstruct.com/fontstructions/show/603594/vulthraesk
https://fontstruct.com/fontstructions/show/451956/roland_5
https://fontstruct.com/fontstructions/show/106923/jester_3
https://fontstruct.com/fontstructions/show/477729/xe_callig_better
https://fontstruct.com/fontstructions/show/677206/ztorm_eye_fs
This is a clone of RemigiusDecorative font without curves. Despite some fancy 'serif' kind of additions to most letters it different from the usual small fonts.
Feel free to replace those non-corner triangles with squares ;) to get a different look :D
I produced this typeface as a part of a UWE project. I started by exporing the word dangerous, where I moved onto the topic of fear. This lead me to a fear of heights and ultimately glass and the way it smashes. This broken glass typeface is shattered as if hit directly and smashed into shape. I wanted it to look more unorganised so the smash seemed more natural. I didn't want the pieces to fit the shape of the letter form but I also didn't want you to be unable to read the letter so I felt like this was a good middle ground between the two. This typeface is to be used as a title font rather than text font.
Folded is typeface based on the idea of paper folding. The idea of the paper folding technique was inspired by my original theme of the life and mind of an introvert. The word introvert means a person who thinks 'inward', so therefore to start off with i played around with the idea of 'inward thinking' and came across the idea of folding paper as when folding paper things become distorted and changed and can also be seen as a inward action or to look inward when folding things in half for example. This later on led me to this typface.
'Nailed It' is a unique and exclusive display typeface primarily designed to portray a message of something to be wary of and to represent the dangerous. The font is physically made of various size nails and splints of timber, positioned to replicate an original font based loosley on a brush script typeface in capitals. Uses for the font could range from circus signs to hardware shops (the most common, obviously).
I created this font as part of my project for UWE. My font was originally based around the word sharp which lead on to looking at the strcutures of glass when broken. I built my font outwards trying to use the centre of broken glass as the middle, almost like a point of impact. When building it further the font almost had this kaleidoscope effect so I tried to make the sides symmetrical but still having the main focus on the centre.
I started this typeface out with the letter 'a', and from there slowly build up the other glyphs and came to realise it looks like a festive type. It's most likely due to the terminals being very angular and sharp, and that thought strengthens ever more so after I tried using it in Adobe Illustrator.