36921131116
Published: 24th October, 2009
Last edited: 24th June, 2015
Created: 22nd October, 2009
Destroyed techno typeface. I've spent on it about two days.
Use it everywhere you want, but I would be delighted seen my nick somewhere ;].
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
1331410341
Published: 31st January, 2010
Last edited: 22nd February, 2010
Created: 29th January, 2010
The letter forms are based on solid square, where each letter form is created by removing only what is necessary to identify the letter and retaining consistency between the other letterforms.
1402814629
Published: 9th November, 2012
Last edited: 6th May, 2013
Created: 27th October, 2012
A typeface based on a logo I found here: http://www.behance.net/gallery/Logo-selection/1310845
Suggestions are welcome
By the way, If I exclude the letter "M" it'll form the word "Otakku" means "My Brain" in my language.
1141920527
Published: 16th February, 2012
Last edited: 27th February, 2012
Created: 11th February, 2012
Alternatives are in lowercase. Supports Accented Latin, Cyrillic, and Euro Sign.
5923499
Published: 2nd April, 2015
Last edited: 2nd April, 2015
Created: 1st April, 2015
A font I made for a game I'm making. And, you can use it however you like! Just credit me, and put it under identical terms. I also made a alien font of this. Search "Numbers Alien".
870846
Published: 11th December, 2008
Last edited: 22nd December, 2008
Created: 10th December, 2008
Personal bitmap font.
The uppercase characters are all the same width.
Lowercase characters may need some adjusting.
6752545
Published: 24th May, 2008
Last edited: 20th April, 2010
Created: 24th May, 2008
I.K. Bonset was the pseudonym that Theo van Doesburg used to publish Dada poetry in his magazine De Stijl.
This FontStruction is loosely based on van Doesburg's alphabet of 1919. I have not followed his strict grid of 25 x 25 (unlike Freda Sack and David Quay's revival, Architype Van Doesburg, or P22's De Stijl Regular) -- in other words, some of my caps and numerals deviate from van Doesburg's original design. Also, I've added a lower case and diacritics (which I am currently updating).
670983
Published: 6th May, 2008
Last edited: 13th October, 2008
Created: 6th May, 2008
A quirky sanserif display face. Capital letters and most characters are built in a square shape. Lower-case ascenders and descenders extend beyond the square.