Published: 24th October, 2009
Last edited: 24th June, 2015
Created: 22nd October, 2009
Destroyed techno typeface. I've spent on it about two days.
Use it everywhere you want, but I would be delighted seen my nick somewhere ;].
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
Published: 17th March, 2011
Last edited: 9th May, 2011
Created: 12th March, 2011
I was thinking... it could be a nice concept/basic letterform to "pump up" squares!
The upper and lower case sets are different, but not completely. Some of the glyphs only worked in one way...
So here it is. Enjoy and have a beautiful summer!
Published: 31st January, 2010
Last edited: 22nd February, 2010
Created: 29th January, 2010
The letter forms are based on solid square, where each letter form is created by removing only what is necessary to identify the letter and retaining consistency between the other letterforms.
Published: 13th July, 2013
Last edited: 14th July, 2013
Created: 12th July, 2013
Clone of db Etroite Bd with many changes. Sans Serif, Decorative, crude, square, Heads, Poster, db This is a clone
Published: 25th May, 2010
Last edited: 27th May, 2010
Created: 21st May, 2010
it's part of my typeface project < unrecognizable font>.
a minimalist(maybe??) font. trying to express all caps characters with 9 bricks and there gaps.
my friend says it looks like a maze.
might be some problem with leading(didn't found the option)
ONLY CAPS(cause i haven't figure out how to express lowercase with the limited resources)
Published: 9th November, 2012
Last edited: 6th May, 2013
Created: 27th October, 2012
A typeface based on a logo I found here: http://www.behance.net/gallery/Logo-selection/1310845
Suggestions are welcome
By the way, If I exclude the letter "M" it'll form the word "Otakku" means "My Brain" in my language.
Published: 25th February, 2020
Last edited: 24th July, 2017
Created: 9th June, 2009
a geometric typeface inspired by 1950s-1970s lettering of the swiss railways, based on a square shape for most letters. there will be condensed and extended versions too.
if you use this font for print, web, logos or other publications, please drop me a note, i'd be happy to receive samples and photos of the font in use!
2012-02-25 corrected accents