32433
Published: 2nd February, 2014
Last edited: 4th February, 2014
Created: 30th January, 2014
Clone of dm mecca. A transitional serif based on dm mecca. Thanks demonics. This is a clone of dm mecca
45655
Published: 14th January, 2014
Last edited: 18th January, 2014
Created: 12th January, 2014
Another font with really thin inlines. Please check out the samples.
6139016
Published: 13th January, 2014
Last edited: 18th January, 2014
Created: 2nd January, 2014
Please check out the samples, as the thin inlines don't really show up in the preview window. Inspired by Ribbon by Daniel Gneiding and will.i.ૐ's experiments with brickstacking, composits and filters.
7159811
Published: 4th January, 2014
Last edited: 4th January, 2014
Created: 3rd January, 2014
This was meant to be a fast one to make. It was more fiddly than I anticipated, but I'm pleased with the results!
095613
Published: 2nd January, 2014
Last edited: 6th January, 2014
Created: 1st January, 2014
Alternate characters (double-story a, round s, x without tail) are on @, $ and × respectively.
26772
Published: 1st January, 2014
Last edited: 1st January, 2014
Created: 31st December, 2013
Unfractured is based on a glass-shattering design and it may not look like letters at first, but look closer. Are they letters or are they pieces of glass?
1721604
Published: 10th December, 2013
Last edited: 11th December, 2013
Created: 7th November, 2013
Since the curved bricks overlap like this, let's embrace it.
147952
Published: 31st October, 2013
Last edited: 3rd November, 2013
Created: 31st October, 2013
This is my attempt to create a Russian font for football jerseys.
1473617929
Published: 25th October, 2013
Last edited: 28th November, 2013
Created: 24th October, 2013
A font initially designed on isometric paper in response to my 'words' brief at UWE. 'Ornate' was the word selected from a list as a starting point. My interest in isometric designs was triggered by Jakob Runge's Fracmetrica typeface. And I know my typeface isn't truly isometric; it's damn hard to create isometric angles on Fontstruct, especially as this is my first font on here. Any constructive criticism, suggestions or advice will be greatly received.
(I've no idea why Fontstruct has displayed my characters in such a strange order)This is a clone
93535
Published: 23rd October, 2013
Last edited: 23rd October, 2013
Created: 3rd September, 2013
Figaro is a thin, decorative serif with lots of beautiful curves and broken terminals (P,R). I was going to redo it in a way bigger grid when I finish with a correct z, but until that happens...This is a clone
95644
Published: 23rd October, 2013
Last edited: 25th October, 2013
Created: 5th September, 2013
Lancaster was born while playing with filters and angles: it's spacial-age look it's a mix between knife-like terminations and wide curves. Very soon: punctuation.
1301216322
Published: 20th October, 2013
Last edited: 30th January, 2014
Created: 23rd July, 2013
In my opinion, marker fonts are quite fun to make. This one reminds me of Salem! and Swash Buckle, by architaraz and laynecom. Thanks and enjoy!
110893
Published: 20th September, 2013
Last edited: 20th September, 2013
Created: 20th September, 2013
Another fat stencil Deco font, this time with some small caps in place of regular caps.
Update: Cloned and fixed an issue with letter K.This is a clone
1787610
Published: 26th August, 2013
Last edited: 26th August, 2013
Created: 23rd August, 2013
A small grid version of 13Sly. I made a few adjustments here and there. It's cloneable, like all the other versions.
93145879
Published: 23rd August, 2013
Last edited: 28th January, 2019
Created: 23rd August, 2013
After spending hours scouring the net for the original font from the original 1993 SNES Shadowrun game without success, I recreated it from scratch, based on every character that appears in the game (US & German versions).
The font is a 1:1 rebuild and appears exactly as in-game. I have also added a vast array of more common characters, diacritics, and other gylphs that don't show up in the game. The super- and subscript numbers are modeled after the game's tiny damage battle popups.
I will add a separate font for the set of the game font's hiragana and katakana glyphs that can be found in the Japanese version of the game.
The base font size and recommended setting for Steelflight is 8pt and multiples of that. Use metric kerning and no additional smoothing effects for the ultimate pixel experience. Also note that, when using a (faux) bold style, the glyphs also appear identical to the bold in-game keywords.
Shadowrun on the SNES was developed by Beam Software and released by Data East in 1993. I picked the name of the font (Steelflight) after my favorite NPC from the game. The whole reason I rebuilt the font is that I needed the original appearance in an indie game project of my own.
~ Steelflight - created by Caveras after the original font used in Shadowrun for the Super Nintendo. ~This is a clone
44261528
Published: 20th August, 2013
Last edited: 18th December, 2015
Created: 17th August, 2013
Chiara is a decorative font evolved from Chiara regular, with lots of embellishments in ascenders and descenders, Higher caps, chopped-of letters and so on. Thanks to the wonderful/incredible/amazing set of bricks you can find here
(http://fontstruct.com/fontstructions/show/all_composites_saved_in_my_bricks) I could develop a hord of curvy stuff that was incredibly useful.
(djnippa, I love you. Really. XD)
This is still a work in progress, I'm redefinig some characters, and I want to add a new set of alternates to make this more versatile. Feel free to comment whatever you like/dislike.
462316421
Published: 15th August, 2013
Last edited: 15th December, 2015
Created: 15th August, 2013
My second script attempt, Bliss, is the result of mixing the classic elegance of humanistic italics and the roughness of the pixelization, that gives a "pencil like" feeling.