2114284
Published: 7th April, 2014
Last edited: 9th April, 2014
Created: 7th April, 2014
A referential classic Trajan font for experimenting on when you can't be bothered to make your own pixel serif font.
95136817
Published: 7th March, 2014
Last edited: 10th April, 2014
Created: 24th February, 2014
A replica of the lettering I carved into a linocut book cover that I made for my favourite book: The Private Memoirs and Confessions of a Justified Sinner by James Hogg.
1611554
Published: 11th May, 2015
Last edited: 21st May, 2015
Created: 7th May, 2015
A pixel font, but you might recognise it's not at all different from something I did a while ago called 'Simple stencil', which already was something of a parody of many recent top picks at the time.
2311763
Published: 20th April, 2014
Last edited: 10th August, 2014
Created: 20th April, 2014
A font that combines the geometric simplicity of the Bauhaus fonts with traditional italic forms and swash capitals.
18102782
Published: 6th April, 2014
Last edited: 7th April, 2014
Created: 6th April, 2014
I decided to only change the capitals in this font because the lowercase was always legible. I would still recommend using Canary Demi because at larger sizes where it is legible, it is more elegant.
I am considering making the simplified Chinese characters on this font, which will be a MAMMOTH task. However it would then be the very first Chinese font on the site.This is a clone
128667
Published: 6th May, 2014
Last edited: 9th May, 2014
Created: 5th May, 2014
Uppercase is lowercase Roman forms and lowercase is smaller upright italic forms.
148644
Published: 21st July, 2014
Last edited: 12th April, 2016
Created: 20th July, 2014
Combines curves, faux-curves, and triangle-brick edges. The title doesn't describe the typeface; it describes a possible application of it. Don't bother asking.
1671056
Published: 29th March, 2014
Last edited: 10th April, 2014
Created: 28th March, 2014
This is my first pixel preference font. It is based on popular forms of title and display writing and engraving in 16th and 17th centuries. It is named after famous printmaker and painter Albrecht Durer, although his writing was only one reference out of a few for this font, and you may notice that other than the A, there are not many similarities with Durer's style. The upper case is purposely deteriorated alla Caslon Antique, and is wider spaced than the lower case.
Gamma and Delta in Greek and Coptic are alternate G and D.
Other ligatures and alternates are in Alphabetic Presentation Forms in Unicode.
772734
Published: 17th May, 2014
Last edited: 13th April, 2016
Created: 16th May, 2014
Now that I'm more savvy in the ways of FontStruct, and that nudging has been introduced, I'm revisiting my magnum opus but this time on a smaller grid and with real curves. I have also designed special small caps.
117622
Published: 15th July, 2014
Last edited: 22nd July, 2014
Created: 15th July, 2014
A roman typeface with short ascenders & descenders, inverse axes and stylised ink traps. Suggestions are welcome; I'm particularly uncomfortable with s, but also f, j, k, t, v, w, x, y and z.
166353
Published: 30th November, 2014
Last edited: 1st December, 2014
Created: 26th November, 2014
Don't worry, it's (probably) not going to turn into a series.
196614
Published: 9th April, 2014
Last edited: 18th August, 2016
Created: 7th April, 2014
Clone of TRAIANVS. In the uppercase, light comes from the left and therefore lights up the right sides of the letters, and vice-versa for the lowercase.
@, _,*,#, and % are all marble vein textures that you can type in without taking up any space.
Lowercase in progress.This is a clone of TRAIANVS
6259516
Published: 20th January, 2014
Last edited: 17th August, 2014
Created: 12th January, 2014
Slightly exaggerated rendition of the classic medieval 'textura' of Christian manuscripts. I mainly used Barbara Bundy's book 'Colour Calligraphy' for reference.(in progress)
735544
Published: 17th April, 2014
Last edited: 17th April, 2014
Created: 17th April, 2014
This font is based on the signature of one of my favourite cartoonists, Al Hirschfeld. Because of this, I copied a few of the letters and invented many, and therefore I am unsure about the descenders for Q and J, and the widths of M, N, V, and W.
35535
Published: 14th May, 2014
Last edited: 15th May, 2014
Created: 14th May, 2014
This was going to be about experimenting with the new nudge feature, but I decided that it would look better without curves. But because I worked on the small grid, the nudging did come useful.
44521
Published: 30th May, 2014
Last edited: 3rd June, 2014
Created: 30th May, 2014
A monospaced universal alphabet. Partially inspired by ''Bayer''.This is a clone
2731701
Published: 1st May, 2014
Last edited: 5th May, 2014
Created: 1st May, 2014
A universal alphabet with faux-Greek influence. You will find that there are two distinct types of sigma, in contradiction with the universal vein of the thing.
932053
Published: 8th August, 2014
Last edited: 12th April, 2016
Created: 7th August, 2014
A fairly even line-width type that was intended to be more even.
531502
Published: 11th April, 2014
Last edited: 15th April, 2014
Created: 11th April, 2014
Clone of Strange Square, for those who don't like pixel fonts.This is a clone of Strange Square
731622
Published: 11th April, 2014
Last edited: 16th April, 2014
Created: 11th April, 2014
Just some fun. A very narrow space allows you to unstick some glyphs that run into each other.
113314
Published: 29th September, 2014
Last edited: 30th September, 2014
Created: 29th September, 2014
I haven't done anything in a while, but just felt like doing this. The idea came when contemplating axes: see the 'o' is made thick on either side conventionally because it is sliced through.