Favorite FontStructions from mattesque (Sorted by Sharing Date)

“FreakFraktur” by Icelar

Sun, 28 Jul 2013 19:24:00 +0000

A new attempt to develop a clear & simple gothic font. I'm still not happy with some characters (T and Z...aghh)but i'm sure I'll figure out something to get this right. Any help is appreciated!!

“FS Mod” by Ivy Meadows (Isaiah Garcia)

Fri, 03 May 2013 04:00:33 +0000

This is a 68 by 100 sized font with all kinds of curves.

“fs dot serif” by ETHproductions

Sat, 22 Dec 2012 16:50:27 +0000

A serif font made of dots. Suggestions are welcome.

UPDATES:
07/06/13-07/07/13 I went over the font and tidied it up. Adjusted spacing on letters like V and q, added or erased dots to letters such as a and f, made the tittles and such bigger, and refined letters like O and g. V1.2.0
10/01/13 More refining, more refining... Each time I come back, I see things that need improving. V1.3.0
12/19/13 My biggest update yet (literally). I've increased the circles' size from two to four units, making overshoots and much more possible. Every character has been reworked to fit the new size, and the font is now generally more condensed. V2.0
05/14/14 Tweaked many shapes with the nudge tool, and adjusted the 4 to have serifs and a lower crossbar. V2.1
05/17/14 Big edit today. A large portion of the lowercase, as well as some of the uppercase, has been narrowed to match the rest of the font.
05/21/14 M, N and accents updated a bit more.

09/27/18 Fixed the acute on ý (it was previously a grave).

“db Soda” by beate

Wed, 20 Jun 2012 20:36:04 +0000

dekorative, sansserif, db, dots

“fs Rondeux” by William Leverette (will.i.ૐ)

Sat, 20 Aug 2011 22:09:34 +0000

Version 2.0

A winning, small-matrix rendition of this super-elliptical monoline sans. If you’d like, please enjoy a private clone to tour the brand-spankin’ new interiors.

I embraced innovation at the expense of imperfection with faux-curve composite stacks. These custom bricks are used to resolve the most glaring proportion issues besetting version 1 (and 2’s) capitals. I risk intermittent aliasing as well as potential inconsistencies in both curvature and stroke contrast. Yet these composite-stack discontinuities (A,C,D,G,J,O,Q,S,U,V) marry unexpectedly well with the extensively used macaroni bricks and remain themselves smooth up to an impressive 72pt.

Manual kerning leaves a lot of room for improvement. The alternates are included mostly for curiosity’s sake. Another work in progress with samples to follow. Feedback is always very appreciated; thanks in advance for it! :)

“Djangogh 2x” by William Leverette (will.i.ૐ)

Thu, 23 Jun 2011 22:44:21 +0000

“FS Hommage à Frodo7 Sh” by Tylo

Mon, 10 Jan 2011 16:09:40 +0000

Clone of FS Hommage à Frodo7. It’s the shaded version. If you check the sample text, you see that 's' and 'p' don’t work well together [sphinx]. For this case just use the uppercase s instead.

“Metropolis” by ackfla

Thu, 06 Jan 2011 06:04:45 +0000

My starting point was the word 'energy' with inspiration taken from action movie posters and a bold, concrete cityscape.

“Scaffoldini Prospettico SG” by funk_king

Sun, 28 Nov 2010 17:34:07 +0000

“Scaffoldini” by funk_king

Thu, 02 Sep 2010 17:18:29 +0000

i started this one a long time ago - the original starter file is dated 9/15/2009. this began as a result of trying to create a different isometric font. after building the framework or scaffolding, i did a few 'A' glyphs, but couldn't go any further. initially, i used square bricks to create the lines, but changed to circle bricks to get a smoother look, although it still looks kind of rough and well...like a cinder block :) it wasn't nearly as bad as i thought it would be to complete, but still challenging. no other versions yet, but maybe...

“Mister Pablo” by nicholasgross

Sun, 11 Jul 2010 12:59:42 +0000

Yep another blackletter. This is my first font. I Love blackletter and its formal/modular structure seemed an obvious choice for fontstruct. I wanted something kinda simple and stripped back with caps that integrated well and didn't bring too much attention to themselves. That capital N brings attention to itself...

“Periculum” by geneus1

Thu, 03 Jun 2010 00:59:54 +0000

Periculum. Rooted in the latin word for 'Dangerous.' This was an experiment in using FontStruct without filters. It reminded me of why I use filters 90% of the time. There aren't as many solutions possible. Periculum died after a bad copy and paste malfunction. The resurrection process was like walking on eggshells, but here it is. Lowercase was rushed a bit just to get it out there for Aphoria. The smoothness comes with the combination of preview scaling and anti-aliasing. It has to be scaled at just the right size to look convincing for on-screen purposes. This makes it more ideal for non-print related usage. 060415. Numbers 101815. Symbols added. Preview looks normal on the font's page, but not on the 'Handgloves' listing.

“zelfvolution eYe/FS” by elmoyenique

Sun, 23 May 2010 12:55:18 +0000

I also wanted to try a stencil. The drawing is done with the font zelfvolution @ eYe/FS. I hope you like them.

“Amplifica” by geneus1

Sun, 16 May 2010 06:15:29 +0000

Amplifica. Derived from the Latin verbal definition of amplify, meaning to enlarge, make greater, or stronger. An older fontstruction revised with new curves and angles to withstand scaling and scrutiny at larger sizes. No polygonal simulated bezier curves needed. So yeah. Go ahead and scale it as large as you want. I dare you. I double dog dare you. 051510

“puncture” by David Neustadt (saberrider)

Thu, 18 Feb 2010 01:34:48 +0000

something i've been working on recently. i'm still looking for a solution to virtually increase my screen resolution, so i would have more grid space. i don't know if the line strength is consistent and i propably won't start with the capital letters until then. anyway i thought i might as well throw this in to see what you guys think about it so far.

“Prog” by afrojet

Wed, 17 Feb 2010 19:08:33 +0000

Prog is a condensed, geometric, modular display typeface with a contemporary sci-fi aesthetic. The design draws from a multitude of influences. Specifically I was inspired by: mathematics, Japanese space-rock, the movie MOON (directed by David Bowie's kid), and the Funk King's wonderful molecular work here on FontStruct.

The principle building block for the design is an obtuse angle segment that's cloned, reflected, and rotated to create an entire letter. Mapping the technique to the whole typeface was a challenge and there are some compromises (see D and U). As is frequently the case with these strict modular exercises the T is the stand out ugly duckling.

“Dconstruct” by zen_killa

Tue, 13 Oct 2009 13:27:51 +0000

Hey there. It's been a moment that i think to create a destroy typeface with fontstruct. That's done with the Dconstruct typeface. Hope you'll like it. Zen

“Dutch” by igorrossi

Sat, 03 Oct 2009 15:01:53 +0000

My own Escher-style font, based on the title of dutchprofiles.com :

Allows multicoloring, blanks and 3D effects.

“fs A Fault in Reality” by minimum

Thu, 04 Jun 2009 04:50:40 +0000

Waaaaaaaay too many dots. ^_^

“Foldstruct” by Stelios Constantinides (sconstantinides)

Sun, 01 Mar 2009 00:32:28 +0000

Inspired by "Inbetween"

Alternate b,d,p