"thank god theres a copy and paste function"

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i thought an isometrical font would be nice so i made one

wow i like 3d fonts huh

Something is lurking in the shadows..

My first fonstruction is based around the theme of malnutrition, but focuses on lesser acknowledged end of the spectrum, over-nutrition. I took inspiration from nature of skin and fat on overweight or obese bodies, putting emphasis on the folds and bulges you might typically see on the skin of a larger frame.

 Clone of Stark by riccard0. riccard0 was inspired to do this font by the Iron Man logo. It's so good I had to grab it and played with it a little (added drop caps and some punctuation, still a work in progress).

This font is Copyright Riccardo Sartori ( Fonstruct username riccard0 - homepage http://www.mompracem.net/ ) & Doug Peters ( https://www.Doug-Peters.com/ or https://Dougs.Work/ ) and released as freeware under the Creative Commons Attribution Share-Alike License.  You are entitled to use this font however you want, but please credit us for our work somewhere (website, blog or social media, preferably with a link back to our portfolio or web site). Credit attribution IS greatly appreciated.

Categories: Logo Inspired, Techno, Collegiate & Sports (Jersey Lettering)
Type: Sans (sans serif)
Weight: Black (or at least Super Heavy)
Web font: Yes, sure.
Commercial use: Any use, yes, please credit us somewhere? Thanks!
Derivatives: OK (please use a different reserved font name & update docs).
Redistribution: Encouraged

Fontstruct Profile Links...
riccard0: https://fontstruct.com/fontstructors/171217/riccard0
SymbioticDesign (me): https://fontstructors/595075/symbioticdesign

P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com

PayPal donations to Doug (to encourage continued freeware font design efforts):
https://paypal.me/sitedesigner

I tried to make a font that mimics the minimalist design patterns of the late-90s and early-00s, as well as earlier grid-based works like those of Wim Crouwel. This is the fruit of that labour.

calligraphy+western

This font and tm Nibble started off as one. Both were different from what they have now become. The idea was to create a very heavy, minimal curves and angles to give a sense of the glyph.

It started with a plain N and a solid O. Making the E match either the N or the O resulted in deviation from the style just enough that it warranted a spin-off into a font of it's own. 

Some letters—such as G and H—proved quite difficult to match in the style of either. A slight angle shift resulted in a glyph that did not go with other glyphs. I kept trying different possibilities...and at some point decided to save the discarded option into another fs, which now contains more than 200 characters.

The teardrop counter in tm Byte forced a complete redraw of all glyphs at about 2× the size.

I am already working on two additional fonts that came out of this exercise...and it might yield more.

circle.

Bold super italic 45°!

ELEVATED - A large 3D outline shadow display typeface.

It's inspired by the lettering from a sketch of great Dutch graphical designer "Jurriaan Schrofer".

Enjoy!

Work-in-Progress …

G1 Recoil. It's like a vibrating pixel font. It's got like one strand most of the time. 

G1 Counterfade. Its got faded halftoned counters. Who would've thought.

A classical option with a new point of view (the scrape). The LC is different to make more legible the pairs of equals glyphs like FF, TT, CC, OO, EE... IBYP because I'm kerning a lot of them.  

The idea is to represent counters with arrows. Letters with closed counters (e.g. D,P ) were first opened and only afterwards were represented by arrows.