Inspired by lomography logo. Glyphs that are not supposed to look identical are disambiguated (0/o, z/2, 3/з, 4/ч, 6/б etc.).

Archaic Cyrillic inspired stuff with a brutalist (?) twist.

Barely any punctuation and kerning for the moment.

A not-so-tiny pixel blackletter font. A bunch of alternates in the Private Use Area.

If you’d like to use this font in a project of yours (incl. need more glyphs, for example; or if you have any other inquiries), let me know via my Google Form.

A tiny pixel blackletter font.

Recreation of the narrow font used for notepad entries in the Kathy Rain and Kathy Rain: Director’s Cut. Almost all of the glyphs are either taken directly from the game with the exception of K, N, O, Q, V, X, Y, Z (couldn’t find them in the game), and some punctuation (which is derived from the main font). I tried to leave the original spacing, too.

The first 13 glyphs of the Private Use Area block are small numbers, small slash and birth/death symbols used for some grave markings in the game.

Added some Cyrillic to Echo Heo’s Pixel Old Style Serif.

A somewhat modernised version of Bosorkanja aimed at rendering modern-day Cyrillic texts.

Pixelised Archaic Cyrillic, inspired mainly by the lettering of the Ostromyr Gospel.

Bosorkanja (босорканя, /bɔsɔr'kanʲa/) is the Rusyn word for a witch.

Recreation of the font used for most PC interface texts in Kathy Rain and Kathy Rain: Director’s Cut. Almost all glyphs are taken straight from the game, except for some punctuation, as well as ampersand, which in this rendition come from the main font, since I couldn’t find any use of those glyphs within this font in the game.

Recreation of the serif font used for newspaper excerpts and police reports in Kathy Rain and Kathy Rain: Director’s Cut. Almost all glyphs are taken straight from the game with all the accompanying spacing issues (you can probably instantly see it in the -ab- pair), BUT:

• uppercase Q, V, X, and Z are mine, since I couldn’t find them in the game;
• some punctuation, as well as ampersand are taken from the main font, since I couldn’t find any use of those glyphs within this font in the game.

Recreation of the main font used for the Kathy Rain games. Almost all of the glyphs are either taken directly from the game or made by extending the original principles (e.g. some accented characters). I tried to leave the original spacing, too.

A very light-hearted attempt at extending the TES: Arena blackletter’s charset. Also out of the original games’ technical constraints in terms of spacing and width.

See also TES Arena Blackletter for a much more faithful and strict adaptation of the original font.

I tried to stay faithful, including character spacing, and only glyphs present are the ones I could find in the game files, with very few exceptions (Ñŵ) reserved for alternates.

Ñ is an alternate of uppercase N present in the font files with modified swashes and thus slightly narrower than the one used in the main menu. ŵ is an alternate lowercase W present in the font files that’s one pixel higher up that the one used in main menu.

← and → are two arrow characters found in the font files. I am unsure which specific glyphs they technically represent, so any hints on that are welcome.

See also TES Arena Blackletter Extended for my own attempt at extending the charset and improving certain characters and their spacing or width.

Uppercase are alternates.

New York 10pt by Susan Kare for the original Mac OS (System Software). Only glyphs found in the original were provided.

Based on Jean Jannon’s “Garamond” cut. See also Ithaca 15.

Echo Heo‘s Echo Pixel Garalde but with some Cyrillic support, № and ₴.

Based on Jean Jannon’s “Garamond” cut. See also Ithaca 15 Bold.