note: WIP !!!

¯\_(ツ)_/¯

The name is kind of "playful" , mixing languages in a weird way 

I wanted to indicate where I  live ♡ without being precise , and  managed to masterfully ╮(. ❛ ᴗ ❛.)╭  disguise a German word, on a phonetic level. ‘Maystar’ as such does have a kind of sense in English, too  

This design has been around for a while; it started as a stencil font for writing a series of words/instructions on a wall. I've never used nor shown it as I had/have problems seeing those tiny bricks to get less angular edges on some curves. Despite that limitation I think that in small sizes the glyphs (specially the frames ) look acceptable. Being a display font anything above size 30 on a flyer/poster/sign might require touch-up in an image manipulation program ……

A design typeface inspired by Alice in Wonderland Syndrome (AIWS) or Todd's syndrome. This font captures the visual perception where objects are distorted in various forms- shrink, stretch, warped, etc.

Adapted from Como S(lab), designed in 2012 with completely revised shapes and a new style.

Enjoy!

I was watching a video on YouTube when this monospaced sort-of connected script with sort-of Lombardic caps caught my eye.

It’s the font for Tower of Despair (AKA Argent Warrior), a text adventure published in 1984 by Games Workshop (yes, that GW) for the ZX Spectrum.

I based my version only on found screenshots, thus |J|Q|Z|q|z| are personal guesses. Punctuation and numbers seem to vary, I suspect based on different ports (notably the Commodore 64).

Best used in multiples of 8pts.

Here I present another variation of Como Splitt (startet in 2014)  in grayscale. Some glyphs have been modified in their breaks, as well as a few other details such as curves and size.
db Como is one of my oldest typeface families, and I still enjoy working with it very much. It comes in various styles, such as Mono, Stencil, Sans Serif/Mix, as well as different weights. 

Gr4ftY presents: Deceima

A bold caps-only minimalist display font made with as few unique bricks as possible. Large, brutalist-esque cubes, sometimes rounded, sometimes cut, made to evoke the silhouette of the letterform. Dots made to represent several things: a third line, not fitting in between the two already existent; a marriage of them, representing a simple umlaut; even hanging on the bottom corners of the Ц, Щ, и Д in an attempt to represent the descending lines on the bottom (not very familiar with Cyrillic, so I don’t quite know what they’re called.) 

As is probably evident, this is in a rough state, so any feedback on the letterforms—especially the Cyrillic text—would be greatly appreciated. It’s not meant to be easily legible, but I am shooting for some semblance of consistency.

Technical Information

Unique bricks: 10 for basic English, 6 (and counting) extras for accents & punctuation.

Filters: 1.6 x 1.6 brick size

Languages: English, p. Cyrillic 

All letters roughly fit within a 4x4 grid space.

PLEASE, read the license information before cloning this font.

That’s all for now. Best wishes,

Gr4ftY

Farop (short for Fanning a Ream of Paper) is an inline display type family that employs non-rhythmic stroke widths, layered overlays, and unconventional alignments to create a distinctive multi-lined aesthetic. It deliberately breaks away from traditional typographic conventions by disregarding standard baselines in favour of chunky, brutalist letterforms and self-determined vertical positioning.

Farop Freestyle (shown here) is composed of eight coloured layers, each manipulating the glyphs with differently coloured stripes. It serves as a visual reference for the wide range of styles that can be achieved with the Farop family, while also functioning as a ready-to-use colour font for bold, maximalist inline typography.

The complete Farop type family, including five individual weights (Farop 1 to 5), Farop Freestyle, and Farop Stack (the original monochromatic gradient variant), is available to download for free at fauxicing.com.

一部フォント提供者

・導誑高誑orNたら(@復活せしどーたらこーたら-野菜n)様

IT IS I: THE MYSTERIOUS HACKER WHO ONCE BROKE THE SITE BY REDIRECTING EVERY USER TO THE RICKROLL VIDEO ON YOUTUBE, BACK AGAIN WITH ANOTHER FONT!

THIS TIME, IT’S A COMPRESSED FONT WHERE NOTHING GOES BELOW THE BASELINE. (THE BASELINE IS THE WORLD’S MOST PROFOUND AND INEXPLICABLE BARRIER WHICH MAY NEVER BE CROSSED.)

FEATURES

• KERNING!
• A QUESTION MARK WITH SCOLIOSIS!
• A Q THAT SNEEZED SO HARD THAT ITS TAIL FELL OFF!
• NOTCHES CUT OUT OF E, F, J, T, AND Ƃ TO FIT NICELY WITH V, W, AND Y!
• INK TRAPS TO COMPENSATE FOR THE THICKNESS OF THE STROKES!
• ALL NUMERALS IN THE NUMBERBET ARE MONOSPACED, SO THEY CAN BE USED IN A DYNAMIC INTERFACE WITHOUT JUMPING AROUND!

I thought I would try a 3D version of my "State" font.  

based on the insular/celtic capital typography from the book of kells

alternates in lowercase

extra alternate M in ~

rho and phi also included

what if lombardic/uncial capitals had a more art deco feel?

i think this font is pretty ugly (the Z is atrocious) but its just an idea (^^)

alternate K in lowercase

use * for the cross symbol

height: 4 bricks

C/c = ch
s = sh
t = th
* = starting punctuation/height marker

A different attempt at recreating the lettering of the RISO logo and inspired by the custom type featured in a Gaji periodical by Corners Studio.

I've drawn a similar typeface previously in Illustrator but with a varied set of glyph styles called Risalto, free for download in my font bundle.

 Introducing "TimelessTales (NB 016)," where the past meets the present in perfect harmony. This Old English style gothic monospace font carries the elegance of centuries past into modern design.

Add a touch of nostalgia to your creative projects.

designed with as much 1x1 space and as little 2x2 space as possible

edit 4/22/2026: OMG THX FOR THE STAFF PICK